O/S

A girl is faced with the feeling of losing someone she once loved and the need for this person to try to make amends for the mess that remains after severing a bond.

A police officer has a fever dream after having too much sugar.

Can I talk to you for a second? What if someone promises to tell you the truth? Would you believe them? A short film following a burnt out call worker, a thunderstorm, a haunted VHS and an event that changes their very idea of the truth. Mono was created by St Ghosty Creatives in 2026 following funding for their 'New Immersion' programme of work exploring immersive and technical exploration in performance and media. (Content warnings - reference to self-harm, reference to mental health and flashing lights.)

Pictures taken between France and Mexico running at 8 frames per second.

Two girls explore their relationship and what it means to be in the world and be vulnerable in this hand drawn graphite animation.

A visual and acoustic reflection about perception, deception, truth and the medium of film itself. Between visibility, irritation, structure and dissolution, a space arises for one’s own vision. An experimental film that wants to be experienced.

Essai 2095

What could possibly be more important than feeding your daughter?

Dialogue between a man from Earth and an alien about the advantages and darker sides of earthly civilization.

Is He Trying To Tell Us Something ?

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

Experimental animation film, with a visual focus on geometrical shapes and straight lines

A comic book character searches for a new home after leaving his own story.

Short experimental animation about childhood, school and mathematics based on my exercise book in second grade.

In 2057, a smart house remains standing in a world without humans after a nuclear war, along with the robots inside it. The robots continue their daily routines meaninglessly. While humanity has been destroyed by a power of its own making and greater than itself, this artificial order, in parallel, is also unable to withstand the greater force of nature for long.

Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.

In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical.

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

A disturbing cinematic opera from Melbourne film-maker, Michael Lee, presenting an intense emotional collage of film clips, original footage and complex object animation, structured loosely in the form of a Catholic Mass, to communicate the film-maker's traumatic Catholic experience. The film is intended in part as 'anti-imagery' in response to the iconography of Catholicism.

Inspired by the energetic German film, Run Lola Run, City Shocks delves into the chaos of urban life through a series of interconnected vignettes, while following a character navigating the bustling streets of a sprawling metropolis.