Women Don't Cycle

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.

France is at the heart of Madonna's life. She is inspired by French culture and its values and has surrounded herself with French artists for many years. To celebrate the 40th anniversary of the Queen of Pop's career, this film revisits the close and unique bond between Madonna and France and features testimonials from close collaborators and French friends who have helped create her unique artistic universe: Maripol, Jean Paul Gaultier, Julien d'Ys, Nicolas Huchard, and Marion Motin. Today's artists such as Florence Foresti, Leïla Slimani, Victor Weinsanto and HollySiz talk about the influence of this emancipating figure, which extends far beyond music.

A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.

For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.

Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.

This documentary profiles economist and writer Marilyn Waring. In extensive interviews, Waring details her feminist approach to finances and challenges commonly accepted truths about the global economy. The filmmakers detail Waring's early rise to political prominence and her successful protests against nuclear arms. Waring also speaks candidly about wartime economies, suggesting that government policies tend to marginalize the fiscal contributions of women.

The one-off documentary tells the story of two women travelling by bike across the United States, from Canada to Mexico along the Great Divide. A unique adventure through the most remote areas of the Rocky Mountains, between pristine nature and wild animals. An epic journey that led them to travel 4,000 km and climb 60,000 meters and that, day after day, forced them to face their own limits, their strength and fragilities, and tested their relationship. Because every journey is always a love story.

Let Me Run profiles six inspiring women, famous or anonymous, from yesterday or today, athletes or amateurs, who use sport to gain freedom, while tracing more than 150 years of women's struggle for access to sport.

The Feminist Library: A Short Film was made in support of the Save the Feminist Library Campaign, documenting a crucial moment in the library's herstory as it fights for its very survival. Shortlisted for the Women's History Network Community Prize, the film revisits the story of the library's inception and emphasises why feminism remains essential today.

Janette Bertrand, 96, is at the time of the balance sheets. Where are the women, where is the fight for gender equality? An hour of History with a capital H and Love with a capital A, to not forget anything and, above all, never stop moving forward.

This documentary film is a dialogue between young women about female sexuality. Addressing the subject with freedom, courage and humor, they share their stories and experiences with the desire to change the world around them and to assert their right as women to an informed sexual education, free of constraints and taboos.

Punk music icons, Lunachicks, reunite after 20 years in an unfiltered, hilarious, and electric documentary. Packed with rare archival footage, the film traces their rise from gritty NYC teens to feminist trailblazers of the 90s grunge era. Fans and newcomers alike will thrill as the band recounts old antics, rekindles bonds, and embarks on their long-awaited journey back to the stage.

Johanna Dohnal, whose political career spans three decades, was one of the very first explicitly feminist politicians in Europe. As a member of the Austrian socialist government and the first Austrian minister for Women’s Affairs from 1990 to 1994, Dohnal was responsible for founding Austria’s first women’s refuge as well as criminalizing of marital rape. Yet her legacy remains yet to be discovered and re-examined. DIE DOHNAL makes a first step, and it makes Dohnal come alive.

Photographed by an all-female crew and directed by the author of Sexual Politics, these are autobiographical interiews with three very different women who talk frankly about their lives, conflicts, and contrasting life styles.

Exploring the concept of the Ecology of Emotions, this musical film portrays an inner journey through the secret garden of creativity put into frame by the nature of Iceland. Hidden Eden is a metaphor for our inner secret garden of creativity. This project bloomed during an art residency in Iceland, sparked by conversations around our shared philosophies on voice and emotional connection. The nature of Iceland inspired us to make the connection on how the landscape reflects the emotional states of creativity and how it helps manage the homeostasis of our inner emotional landscapes. This exchange between emotion and the landscape opens a space for healing. Creativity provides us with the tools to access a garden of our authentic being, nourishing and balancing us. Allowing ourselves to explore the spectrum of our emotions through the lens of our relationship with the Earth invites others to do the same. The creative process can affect our well being and is a key to human evolution.

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.

Triggered by congressman Jair Bolsonaro’s homage to the torturer Carlos Alberto Brilhante Ustra, during president Dilma Rousseff’s impeachment hearing in 2016, Inês, a 70 year-old actress, starts a fragmented narrative of her own history, transforming the memories of her youth as an artist and guerrilla fighter during the military dictatorship into performances. Using as a starting point her participation in Teatro Oficina's 1967 production of the play "King of The Candle", by Oswald de Andrade, Inês creates a manifesto in defense of art's political strength, intertwined with memories of lost love and resistance.