In a remote and seemingly peaceful province of Ilaya, there lived two teenagers who explore their lives as the world around them grows darker.
A collection of five short films tackling the military industrial complex, the rise of fascism, political polarization and various issues in modern society.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
An exploration of two souls inhabiting bodies from 1940's Hungary, and the beginning of the digital age.
A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
An experimental short from Oskar Fischinger
undressed
Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.
Through Martian horizons, she gazes upon the world she’s only known through tales of scrap screens. Colors altered by fading memories, and shapes molded by imagination... Her perception of Earth, a symphony played by fragmented notes, an artwork painted by distant echoes. In the embrace of Mars, she carries the fractured essence of a heritage lost in space. Generations adrift in the solitude of the Martian plains, lives in a kaleidoscope of the world.
The parents of an adult infant named "Child", played by Todd Haynes, attempt to expel him from their home, by casting magical spell seen in a television documentary about Malaysian rites of passage.
In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.
Short experimental animation by Jules Engel
An important sensory organ, the eye, is damaged. The exhausting healing process takes us on an inner journey full of pain, fragility and mental unrest, in which even superstition and witchcraft seem to have an influence on recovery.
A short experimental animation by Jules Engel
Two people attempt to connect over a great distance.
Pablo, an introverted child, has the ability to enter his mother's paintings, this takes him on a surreal and bizarre journey that dissolves the limits between reality and imagination.
A stream of mysterious rituals and symbols are encountered as a young boy journeys to school in the fantastical world of Kshya Tra Ghya.