Annual Inspection of the Bodyguard by His Excellency Lord Lytton

Jahan Jahan Charan Pade Raghuvar Ke (English title: Footprints of Lord Rama in His 14 Years Exile) is a 26-episode documentary web series retracing the 14-year Van Gaman of Lord Shri Ram as described in the Ramayana. The series follows the sacred route from Ayodhya to Lanka, documenting over 200 historically and culturally significant sites across India. Filmed on real locations rather than studio recreations, it captures authentic rivers, forests, caves and ashrams linked to Rama’s exile. The first phase covers Ayodhya, Shringverpur, Prayagraj and Chitrakoot, including Ram Ghat, Kamadgiri, Gupt Godavari, Sharbhanga Ashram, Suteekshan Ashram and Viradh Kund. Upcoming schedules extend through Dandakaranya (Chhattisgarh), Panchvati (Nashik), Kishkindha (Hampi) and Dhanushkodi. Produced by Pomy Films, the series is hosted and directed by international award-winning filmmaker Sunil Babbar, blending spiritual reflection with on-ground historical documentation.

Lady Pamela Lytton, wife of the Governor of Bengal, visits the grand marble Victoria Memorial in Calcutta.

The race is on - for the Viceroy's Cup.

Oases are more than fairytale places in the desert sand. Amidst the stony heights of the Andes, the endless expanse of the Pacific, or the hectic concrete sausages of Mumbai, islands of life flourish. In breathtaking shots, the documentary explores the phenomenon of oases – and the magical places in the Saharan sand are of course included.

The Real Story of Fake Democracy. Filmed over three years in five countries, FREEDOM FOR THE WOLF is an epic investigation into the new regime of illiberal democracy. From the young students of Hong Kong, to a rapper in post-Arab Spring Tunisia and the viral comedians of Bollywood, we discover how people from every corner of the globe are fighting the same struggle. They are fighting against elected leaders who trample on human rights, minorities, and their political opponents.

Stately scenes in India, likely filmed during the 1903 Delhi Durbar.

Rural life in the mountainous valley near Gilgit - now in the Northern areas of Pakistan.

A film about memory, identity and the overwhelming power of love. One-year-old Devi was found starving at a railway station in Delhi. The police took her to Palna, an orphanage, where she lived for a year. When Devi learned to talk she often wanted to talk about Amma, her first mother. In the film, the 6-year-old Devi journeys to her own past, as her family adopts another daughter from Palna, a baby sister for Devi.

Aristocracy, army, elephants and more mark the start of the 1903 Durbar.

Armoured elephants, sacred monkeys and a camel carriage from Rajasthan.

The timber trade calls on animal help.

The Maharajah of Kapurthala and guests travel on elephants and men catch fish on the River Bias.

Varanasi is the Indian city where Hindus go to die. Stretching along the Ganges, Varanasi holds great spiritual significance because Hindu scriptutres say that anyone who dies there will attain moksha—liberation from the cycle of rebirth. Berlin-based director Dan Braga Ulvestad captures life and death in India’s heartland in this moving documentary filled with exquisite cinematic moments. By the River starts its narrative journey with the city’s “death hotels,” dedicated apartments where people wait to die, sometimes for decades, so they can be cremated on the banks of the Ganges.

Sixteen year olds Palani and Karthik want to become "ladyboys." They're bullied in school and beaten by their families. Their parents would like to see them grow up as normal boys, but they're falling deeper and deeper into the world of the "Aravanis." Loved as dance performers but hated as homosexuals, their stories emblazon the inner conflicts of India's gender culture today.

Auroville: L'esquisse d'un monde

The Duke rides an elephant as he ventures on safari in Bengal.

A state welcome for a Handley Page aircraft arriving in Kolkata.

Traveling the length and breadth of the country, S. Sukhdev constructs, a panoramic, non-narrated study of Indian life in the late 1960s. Shot across villages, deserts, countryside, and cities, the film observes daily labor, leisure, and movement without commentary, allowing humor, contradiction, and social texture to emerge organically. The result is a sensory encounter with India poised between inherited tradition and accelerating modernity.

A trip to the spectacular city of Bundi and a Kathakali dance performance, filmed in vivid colour.

Rare amateur footage of East India.