L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.
A 14-year-old video enthusiast obsessed with violent films decides to make one of his own and show it to his parents, with tragic results.
La vie au temps de Cro-Magnon
A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
A radio DJ in pursuit of an exclusive interview follows ABBA during their mega-successful tour of Australia.
During the summer semester at a New York City arts school, boundaries begin to blur between an adjunct professor and the students in her Personal Documentary filmmaking class.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
A village meeting in communist Russia to pay homage to Stalin leads to a gossip marathon, which develops into an endurance test for the participants.
Stefan reunites with his family to celebrate his grandmother's birthday for the first time after his mother's recent passing. This homecoming, driven by his urge to complete a film about his mother and an attempt to make amends by rescuing a stray dog, will ignite an introspective journey for Stefan. Inspired by the director's real-life experiences and starring his actual family members in a mission to complete a lake house and a film, this is an intimate cinematic exploration of the timeless mother-son relationship.
In this comedic docufiction, Javier (Javier Raphael) is a young man who has always wanted to be a football coach like his idol “El Chelís” (José Luis Sánchez Solá), but has never done anything to fulfill his dream. Now, guided by a nosy narrator (Jorge Pietrasanta), he will look for some of the most unorthodox amateur football coaches in Mexico, and for his beloved "Chelís", so that each one can give him lessons until he is fully trained to manage a match and thus become a true "Mexican football coach".
"All Five Millions of Us" is a hybrid of documentary and fiction feature film about father absence, based on data released by the National Council of Justice: there are 5.5 million children without paternal recognition in Brazil.
Más cinco
Tired of my city, I imagine the arrival of a cowboy in Lisbon.
In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.
A young Calabrian woman just back from Gorizia tells a friend about her trip: what prompted her to go to Friuli-Venezia Giulia was her discovery of the poems and novels by one Carlo Michelstaedter, an author and philosopher who had died young, in 1910. What was the reason for his tragic death? And that odd yet familiar figure glimpsed on the beach, at the end of the trip, as the woman told it: who did it belong to?
After seven years in prison, a female student in Tehran is hanged for murder. She had acted in self-defence against a rapist. For a pardon, she would have had to retract her testimony. This moving film reopens the case.
Two documentary filmmakers become the plaything of writer Peter Stamm and subject of the novel whose creation they actually wanted to document.
A film based on one of the world's greatest pioneers Dr. Babasaheb Ambedkar.
Étienne Dinet (إتيان دينيه), born March 28, 1861 in Paris, where he died on December 24, 1929, was a French painter and lithographer. He was one of the leading representatives of Orientalist painting at the turn of the 19th and 20th centuries. Obtaining a scholarship in 1884, Dinet undertook his first trip to southern Algeria in the region of Bou-Saâda, the Naili culture having a profound impact on him, as he would return there many times until he settled in his first Algerian studio in Biskra in 1900. In 1905, he bought a house in Bou-Saâda to spend three-quarters of the year there. In 1907, on his advice, the Villa Abd-el-Tif was created in Algiers, modeled on the Villa Medici in Rome. Having lived much of his life in Algeria, he called himself Nasreddine Dinet (نصر الدين ديني) after converting to Islam. On January 12, 1930, he was buried in the Bou-Saâda cemetery, where a museum that houses many of his works bears his name.
In the 60s, Vadim, a Soviet engineer, is in love with Vera, a researcher in biology. But their romance is suddenly disrupted by a mission entrusted to Vadim: sent to Egypt, he must participate in one of the great utopian ventures initiated by the USSR. Based on unpublished archives, this film is inspired by a true story.