Daughters of Darkness: Locations of Darkness

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A Tibetan woman collects water near her family's yak farm and brings it back home 80-pounds full, in a ritual that takes her an hour to complete. A selection from Peabody Award-winning documentarian Bari Pearlman’s Nangchen Shorts series.

This documentary short is a visual portrait of “Prairie Sentinels,” the vertical grain elevators that once dotted the Canadian Prairies. Surveying an old diesel elevator’s day-to-day operations, this film is a simple, honest vignette on the distinctive wooden structures that would eventually become a symbol of the Prairie provinces.

The cast and crew of Spaceballs looks back at the making of the movie.

Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.

This film chronicles the bizzare story behind the making of the all time cult classic "Forbidden Zone", as well as providing a brief history of the Mystic Knights of the Oingo Boingo that follows their transformation from theatrical stage troupe to legendary rock band.

Produced in 2014, this documentary about the making of TIE ME UP! TIE ME DOWN! features interviews with director Pedro Almodóvar; actors Antonio Banderas, Victoria Abril, Loles León, and Rossy de Palma; producer Agustín Almodóvar; production manager Esther García; and cinematographer José Luis Alcaine.

A behind the scenes snapshot of the making of one of the greatest films ever made. Filled with trivia, interviews from cast and crew, and more.

A group of writers from Hidalgo get together to generate their works and create a community around literature.

Sound progression of two opposite landscapes.

Steal This Film focuses on Pirate Bay founders Gottfrid Svartholm, Fredrik Neij and Peter Sunde, prominent members of the Swedish filesharing community. The makers claimed that 'Old Media' documentary crews couldn't understand the internet culture that filesharers took part in, and that they saw peer-to-peer organization as a threat to their livelihoods. Because of that, they were determined to accurately represent the filesharing community from within. Notably, Steal This Film was released and distributed, free of charge, through the same filesharing networks that the film documents.

Jak se dělá film

Longtime playwrights and performers of the Abbey Theatre share colourful reminiscences of the national institution founded by W.B. Yeats and Lady Gregory in 1904. Oscar Nominee: Best Documentary Short

The Man in Gray is a 1961 Italian short documentary film produced by Benedetto Benedetti. It was nominated for an Academy Award for Best Documentary Short.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Spring 2017, in between the two rounds of the French presidential election. Pierre, a 25-year-old scholarship holder studying in a big Parisian school, lives with 75-year-old Francine, who is disabled and wheelchair-bound. Politically and socially opposed, they are perplexed and disoriented as they witness the unfolding electoral spectacle. While waiting for the results, they engage with each other, as Pierre tries to take care of Francine’s body and she attempts to heal his voiceless resentment.