Artificial Intelligence, 2023

A life, seen through paper.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

a young timid boy who is doubtful about faith and religion is beaten by curiosity and ends up wandering into a peculiar church and encountering a celestial yet godlike girl.

A child is attacked and turned into a chimera and must learn to navigate his strange world as an entirely new kind of being.

Direct animation on 35mm.

Can I talk to you for a second? What if someone promises to tell you the truth? Would you believe them? A short film following a burnt out call worker, a thunderstorm, a haunted VHS and an event that changes their very idea of the truth. Mono was created by St Ghosty Creatives in 2026 following funding for their 'New Immersion' programme of work exploring immersive and technical exploration in performance and media. (Content warnings - reference to self-harm, reference to mental health and flashing lights.)

This is the second film in the series, ‘Between Regularity and Irregularity’. This work continues to focus on the fluctuations and changes of sounds, tone qualities, movement of particles, and forms. With regard to movements of particles, it uses movements triggered by living organisms such as the structures and cells in the brains of mice, as well as particles and lines in non-living things.

An experimental short from Oskar Fischinger

Inspired by the energetic German film, Run Lola Run, City Shocks delves into the chaos of urban life through a series of interconnected vignettes, while following a character navigating the bustling streets of a sprawling metropolis.

Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films

A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene

Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.

Following the events of the Bomb Girl incident, Denji becomes the target of deadly assassins from around the world seeking the power of Chainsaw Man. As rival hunters, powerful Devils, and international killers converge on Japan, Denji and Public Safety are drawn into a brutal conflict that uncovers dark secrets and pushes them into a terrifying battle beyond human understanding.

Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.

A lone woman is forced to confront her body whilst those around her voice their experiences living in their own skin. Experimental short film where sound and music is placed on equal footing with the visuals.

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

A young man has an anxiety attack and in an attempt to feel something, he skips through Kanye West's 2018 release, ye, until he lands on Ghost Town.

Serlasanha