Enfants de Daech, les damnés de la guerre

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

Makun (no llores) - Dibujos en un CIE

For the past 12 years, journalist Paul Moreira has travelled extensively in Iraq. In this film, he goes in search of the men he filmed back in 2003 at the very beginning of the American occupation. Through their stories, and by tracing the roots of ISIS to the arrival of Abu Mousab Al-Zarqawi and America's handling of the resistance, he tells the story of how Iraq became such a fractured nation.

The World Health Organisation has revealed that Glasgow's wealthiest live on average 28 years longer than its most deprived inhabitants. Journalist Julien Brygo asked the wealthy how they interprate the poverty of their neighbors. A photographic movie.

A group of educators led by Fernand Deligny are working to create contact with autistic children in a hamlet of the Cevennes.

Artin, a young Iranian bodybuilder, and Jahan, a Kurdish man who recently discovered his love for painting, live in Kærshovedgård, a former prison now used as a deportation center.

Fragmentary perspectives on Human Rights and transgender (trans*) People in Turkey. What remains at the place where a murder happened? What constitutes trans* life? How to cope with daily violence and hatred? We begin to search for traces. We follow the tracks of resistance and survival. We are collectors of the expelled. We gather fragments of trans* lives inspired by texts of Nazim Hikmet, Foucault, Benjamin and Zeki Müren. Trans*BUT is a documental research study driven by the question: “What keeps you going when all else falls away?”

Pauline, Norah, Kristina and others wait for hours, sitting under a hut deep in the Bois de Vincennes. In front of the administrative detention center (CRA) in Paris, they have all come to see their loved ones locked up. Lives on hold, awaiting deportation or release. On this stage, these women tell their stories, talk to each other, share their experience, their revolt and their dreams with new visitors. They are the mirror of migrant detention, its reverse view.

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

In October of 2016 the battle for Mosul, the Islamic State's self-proclaimed capital in northern Iraq, began. With unprecedented access, Bernard-Henri Lévy and his team follow the Kurdish units and the Iraqi special Golden Division. From street to street, they fight together to regain this city of two million inhabitants. Though successful, the hopes of the Kurdish fighters might not always align with those of their allies.

In times of conflict, a companion can be the final thread linking one to human connection. In Call of Duty: Warzone, communication is fractured, making it even harder to truly know those you play with. Dialogue is just a series of terse exchanges of orders and instructions; everything revolves around the game, everything is subsumed by war. Forming a meaningful connection with an anonymous player seems nearly impossible. In The Zone, the protagonists confront this challenge, pushing beyond the fleeting interactions dictated by random matchmaking. They seek to reclaim their humanity, engaging with pressing themes — religion, terrorism, and representation — subtly embedded in the game’s mechanics and geography.

A documentary detailing an indiscriminate terrorist attack that left 71 dead in Kenya.

This gripping documentary revisits the shocking 1995 bombing of an Oklahoma City federal building, the deadliest act of domestic terrorism in US history.

A documentary exploring sexism and patriarchy in Kosova.

A unique and compelling account of the day that changed the modern world, captured by ordinary people who chose to pick up their cameras and film that fateful day.

In October 1995, Forbach witnessed one of the most violent strikes in the history of contemporary France. A thousand or so miners took to the streets for a merciless struggle against a reform in their rights. Twenty years after the mines shut down, people’s will to fight is still alive, just hidden away somewhere.

Bachar, le maître du chaos

Three film-makers travel to Iraq to film the ongoing crisis in which ISIS forces are trying to take over the country. The film-makers speak with locals, military, police and other media outlets to get their opinions on the crisis but it's the voices of the children which often goes unheard, so the film-makers listen to the children, and find out their views on the crisis.

On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.