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The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.

A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty." Preserved by the Academy Film Archive in 2004.

Stop-motion puppetry version of the classic fairy tale. Preserved by the Academy Film Archive in 2004.

A classic tale retold with Harryhausen's trademark animation. Preserved by the Academy Film Archive in 2004.

Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.

Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.

A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

An animated parody of television commercials and the television audience. Preserved by the Academy Film Archive.

A walking figure emerges from a changing, circular cycle; his inner self emerges and precipitats a series of violent struggles with himself, adapting various animal forms along the way. Preserved by the Academy Film Archive.

"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains. Preserved by the Academy Film Archive.

A toy soldier, distracted by a beautiful ice skater, is derelict in his duty and gets discharged. Later, when the screwball army declares war, he lucks into a chance to redeem himself. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.

The Scarecrow trades Jasper a handful of beans for his harmonica. Jasper plants the beans and climbs up the resulting beanstalk and, at the top, finds a beautiful girl in a golden cage playing a golden harp. Jasper rescues her from the Scarecrow, brings her down the beanstalk, and spends the rest of his days dancing to the music his girlfriend plays on the harp. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.

In this Puppetoon animated short film (an Academy Award Best Short Subject, Cartoons nominee), legendary American folklore figure John Henry (voice of Rex Ingram) goes to work for the C&O Railroad, which shortly thereafter buys an automatic steel-driving engine, The Inky-Poo. John Henry matches his strength against the engine, saying that any man can beat a machine because a man has a mind. Can he prevail? In 2015 this film, deemed "culturally, historically, or aesthetically significant", was selected for preservation in the United States National Film Registry. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.

On Christmas Eve, a lonely young boy, shut out from the shiny world of presents and holiday parties, peers into a candlelit window, where a gray-haired lady sits sadly at a bare table. Taking the last bit of bread and cheese from his pocket and adding wine, they share this meager Christmas dinner together. Preserved by the Academy Film Archive in 2012.

Mountain Music illustrates what happens when technology gets too advanced too soon. Preserved by the Academy Film Archive in 2012.

A symbolic reflection on issues of female sexuality, art and identity constructs.

The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.