Japanischer Schleiertanz

Basically this is a commercial for Hollywood's Lido Lounge and for MGM contract players. The Lido is a large watering hole; we visit one afternoon with an orchestra playing, all sorts of stars and would-be stars sitting at tables near the pool alongside paying customers, and bathing beauties parading and diving. The Lido's manager, Reggy Denny, introduces the stars in the audience. He's sometimes interrupted by someone who does a bit, sings a song, or otherwise entertains: most of these are novelty acts. By the end, everyone's having a swell time.

Huw Stephens presents an exciting selection of short films from emerging artists and film-makers from across the UK. Topics are fresh, varied and thought-provoking, including a behind-the-scenes look at a zoo closing for the night, an honest account of farming the land, and a powerful love letter from a son to a mother who has cancer. Expect to be moved and challenged by these short dramas, observations and dance, made by a new generation of storytellers. Yew; Echdo; King of the Pit; Two B or Not Two B; Lucky House; Everything Is Fine; The Jacket; Cages; It's Always Been; Mary Lost Her Battle; Between the Dog and the Wolf; From His Perspective

Tattooed hands gently glide over a rock face, probing it with the tips of the fingers. Three women, arms raised to a high boulder, appear to be in prayer. Hidden in a cave, two others stare at their bloody palms. Touching Rocks depicts bouldering as a pagan ritual.

Mark Racop, a batmobile maker from Indiana, is unjustly accused and raided by California police while being forced into a criminal court case.

Filmed mostly with drones, this short film shows what happened before, during and after the devastating earthquake that struck Mexico City in September 19, 2017. Through sound recordings of the rescue operations, accounts from survivors and journalistic chronicles, this film reflects the uncertainty and bewilderment caused by the quake.

Notes about identity

A story about obsession and yearning for the infinite.

Hussein learnt to breakdance from a soldier in Iraq as a kid, then chased his American Dream to NYC. Now a choreographer, he mistakes a shot at success for a breakthrough and loses everything, but will do whatever it takes to keep dreaming.

This film is a portrait of hypnotist and artist, Marcos Lutyens. It examines the idea of incorporating hypnotism into art through the filmmaker participating in a hypnotic induction.

Preschool to Prison is a compelling examination of how the United States public school system is built and operated like prisons. Zero-tolerance policies are used to justify suspension and arrests that set up a pathway to send children of color and children with special needs from school to prison. Children are being suspended, restrained, dragged, physically manhandled, and subsequently arrested for minor offenses such as throwing candy on a school bus. These personal accounts from people affected by the school-to-prison pipeline give riveting tales about the generational impact on society.

"Hunted by Moonlight" is the second film of Dinosauria Volume 2, and the seventh of the Dinosauria Animated Series overall.

The Post(?) Feminist Dissonance Project uses a quote by Kathleen Hanna as a prompt, a voicemail box as an interviewing device, found footage as a tool, and text as a character. it is a study in the cacophony of the inner life tuned against the perception of reality. i made this piece to see if i was alone, and i discovered that for better or for worse, i am not. this is above all about the process, not the resolution.

Death in the Garden of Paradise is an intensely personal meditation on the murder of the filmmaker's father and sister in Lahore by an unknown intruder. The disassociation caused by traumatic loss and the impossibility of knowing the identity of the killer flow seamlessly into the film's aesthetics so that familiar sights become strange, shopkeepers and passing pedestrians become suspects, and sound is fragmented and distorted. Architecture and haunted spaces, deserted gardens, photographs and paintings are both metaphors and physical locations in this elegant elegy to mortality

Ever reached into your pocket to find your phone had been snatched? Dutch film student and former iPhone owner Anthony van der Meer experienced that awful feeling first-hand while having lunch in Amsterdam. Unsatisfied with the response from the Amsterdam police, who register an average of 300 stolen phones per week, Meer decided to find out what kind of person steals a phone. He downloaded DIY security software on a decoy Android phone, intentionally got the phone stolen, and was able to spy on his thief for weeks. He recorded the ups and downs of his covert investigation and turned it into a 22-minute documentary called Find My Phone.

Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

In this documentary by Asia Youngman, Indigenous artists throughout Canada strive to reclaim their cultures and identities through a reawakening of tattoo practices, both traditional and contemporary.

No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.

Filmed between 1959 and 1974 using pioneering time-lapse techniques, Hilary Harris’ experimental documentary presents New York City as a living organism. Through a dynamic montage of traffic, crowds, and urban movement, the film explores the parallels between the rhythms of city life and the processes of the human body.

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?