Matando Víbora En Viernes

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

Whilst a boy mourns the passing of his younger brother, hope of unity is found in his grief.

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

During Childbirth, a mother is told the child is stillborn, and she struggles to finish the birth in order to survive.

A short film by Bryce Hodgson.

A queer poet navigates heartbreak through writing, techno, and self-destruction.

A perspective on everyday things.

Forced to confront adulthood, a teenage girl detached from reality prepares to leave her childhood home.

A young scientist studies the mechanics of time travel by having a conversation with a group of her future selves.

A tormented man struggling with his inner demons, seeks desperately a way to be at peace with himself.

3IRTH

In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.

Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.

A woman strolls through nature, embraces trees, and enjoys stunning views. She dances around a large tree, then suddenly falls into darkness, wakes up in a completely different setting, and wonders if she was dreaming or if this is her dream.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.

A dreamlike depiction of fleeting aspirations.

A depiction of the varying passage of time.

A teenager contemplates his relationship with God and others as his days are filled with loneliness.