Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
A reflection Puerto Rican’s initial reaction to the aftermath of hurricane Maria captured through interviews filmed two months into the chaos and footage gathered from people’s phones, cameras, and any form of recording.
Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.
As Puerto Rico falls deeper and deeper into an unprecedented crisis this is Vietnam’s story, a community or barrio located on the coast of Guaynabo fighting an illegal expropriation at the hands of a career politician. Their experience echoes the island’s current struggle with; an unparalleled migration, a notion of progress fueled by corruption, crippling economic debt, displaced poor and middle class families whose land is being purchased by millionaires, and the slow to non-existent reconstruction of infrastructure after Hurricane Maria.
COINTELPRO 101 exposes illegal surveillance, disruption, and outright murder committed by the US government in the 1950s, 60s, and 70s. “COINTELPRO” refers to the official FBI COunter INTELigence PROgram carried out to surveil, imprison, and eliminate leaders of social justice movements and to disrupt, divide, and destroy the movements as well. Many of the government's crimes are still unknown. Through interviews with activists who experienced these abuses first-hand, with rare historical footage, the film provides an educational introduction to a period of intense repression and draws relevant lessons for the present and future.
"A Friendly Newspaper" vindicated journalists in a very important sense. For the first time, from a place as influential as television, the business power that exists behind the press was summoned and held responsible for its decline.
David Attenborough tells the revealing story of this Caribbean island's exotic but vulnerable wildlife. A team of conservation champions are making it their mission to save the most precious species. We see how Puerto Rican parrots, manatees and turtles are now making a comeback.
Explore the 500-year history of the city of San Juan, from the move from Caparra to the different invasions during these centuries. It also looks at how different situations and people were key to what is now the capital of Puerto Rico. This documentary presents, through the recreation of key situations, archival material, and accounts of historians and researchers, decisive moments that influenced what is now the capital.
At Arecibo Observatory in Puerto Rico, “Near Earth Asteroids: Dr. Anne Virkki” tells the story of Research Scientist Anne Virkki and her ongoing studies on asteroids and their threat to humanity. Originally from Finland, Anne Virkki shares her experience in education as well as her studies on asteroids, including her work hunting and tracking asteroids headed for Earth.
At Arecibo Observatory in Puerto Rico, Eliana Nossa studies the ionosphere. This short films tells the story of Columbian researcher Eliana Nossa as she explains her study of the ever-changing universe, Arecibo's technology and data, and her role as a woman among her male colleagues. She studies the ionospheric irregularities that impact terrestrial communication.
PsiQuis: Un Giro Decolonial is a documentary that presents and discusses the psychological impact that colonialism has had on the Puerto Rican people. The director analyzes the traumas generated in Puerto Rican society by that colonial experience.
Puerto Rico, the last relic of colonization in the western hemisphere, has been a dependent territory of the USA since 1917. Los Macheteros and one of its leaders Juan Segarra have been fighting for its full independence for many decades.
Benedicto, is a retired police officer who has dedicated more than 30 years of his life, helping young drug addicts and homeless people in the rural town of Corozal, Puerto Rico. His story takes place day by day in a little humble house in the death road of the municipal cemetery of Corozal, a rural municipality of Puerto Rico with a high population of young homeless people, alcoholism and drug addicts. The door of Benedictus little house on the death road to the cemetery is the deviation between life and death for these young people in need.
Nuestra Isla Nuestro Encanto
Hurricane María abated, the news crews packed up and left Puerto Rico, and the interest of the international community turned elsewhere. What happened next?
A documentary that reflects on the vision of 'progress' that governments cling to in times of climate change, focusing on the personal and collective experience lived in Puerto Rico after Hurricane Maria struck the island in 2017.
A musical look at the invaluable contribution made by women to Puerto Rican music.
Documentary on Pablo Casals' visit to Puerto Rico in 1956.
In San Juan, Puerto Rico, hundreds of artists gathered to pay honor to the work of Puerto Rican artist Myrna Báez. La otra intención (The Other Intention) is an observational documentary that travels through the work of Myrna while visiting artists, such as Petra Bravo, Deborah Hunt, Yiyo Tirado, Gustavo Castrodad, the theater group Y no había luz, among others, to accompany them in their creative process of re-interpretation.
Isla chatarra describes the phenomenon of the ubiquity of automobiles in Puerto Rico. The island measures slightly less than 9,000 square kilometers, but has 25,000 kilometers of paved road, one of the highest proportions in the planet. Puerto Rico is one of the countries with the largest number of vehicles per kilometer (of road) and third in the world in number of cars per 1,000 inhabitants. The film was produced with the idea to raise consciousness and create a dialogue about the ongoing situation of our dependence on cars. It also shows the dangerous circumstances of an island that is slowly being covered by scrap metal.