We're in Portugal but in France

Freddy, a 48-year-old bachelor with no children, who continues to live as if he were a teenager, meets Aylín, a 30-year-old girl who arrives in Lima, and is surprised that she could be his daughter.

Jean-Jacques Daloiseau has worked as civil servant in the Ministry of Health and his now retired.Jean-Jacques and his old friend Robert have always dreamed of a sailboat and a trip around the world by sailboat.They have found a nice sailboat: Robert has paid his part but Jean-Jacques needs to sell a ground in the Soth of France.And also Jean-Jacques needs to speak with his wife Carole about this trip around the world with Robert.Then begin all the difficulties and impediments.Carole doesn't agree with this and runs away to London.Then one daughter ,Pauline, has problems with her husband and has come back home with her children.So Jean-Jacques becomes a nanny and has to solve all the problems of his daughters, find the money for boat and recover the love of Carole.

"After a period in intensive care, Britney sets out on a road trip where time becomes entangled. Along the journey, she seeks to understand her relationship with people, with affection, and with her own body."

Evan, a filmmaker from Mississippi, catches feelings for a gal he meets at a found footage film festival in San Francisco. They decide to make a movie together, exploring the haunted landscapes of Evan’s family history in the swamplands of Florida. Old wounds are reopened and generational trauma reveals itself to be perhaps the scariest part of this attempted mockumentary that ends up being a little too real.

The race to save the world's only dedicated Māori World War One Memorial from collapse reveals an unknown soldier's heroic story to the community he was once part of.

Daniel is the lead actor in a mafia film. He's about to shoot the pivotal scene: his father's death. His emotional preparation will plunge him into childhood memories and impact his own life.

The story of Queen Elizabeth II in her own words, featuring never-before-seen home movies.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

Thanks to DNA, this documentary establishes the identity of Marilyn's biological father, thus revealing her new paternal family, 60 years after the icon's death.

Ten-year-old Fiona is sent to live with her grandparents in a small fishing village in Donegal, Ireland. She soon learns the local legend that an ancestor of hers married a Selkie – a seal who can turn into a human. Years earlier, her baby brother was washed out to sea and never seen again, so when Fiona spies a naked little boy on the abandoned Isle of Roan Inish, she is compelled to investigate.

Reclaiming what was once stolen from him, a man journeys back to the place of his childhood nearly 80 years after his world came crashing down.

The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

Within the video, two screens coexist. On the primary screen, a repetitive action takes place - the photo in the hands is periodically blurred. The focus of the viewer's attention is shifted to the secondary screen, which is more dynamic. The face in front of the camera, resembling clay, tries to take on images from archival photographs and video recordings.

It was aboard the legendary and sturdy Peugeot 504 and Renault 12 that most North African families made the "route du bled," a ritual return to their homeland for summer vacations in Morocco or Algeria. The film chronicles a summer migration across the Mediterranean from the 1970s to the 1990s. The memory of these epic journeys punctuates the history of North Africans in France with bittersweet nostalgia, where travel stories blend industrial automotive heritage with personal memories.

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

A man in his sixties, sitting in a dark room, gazes at the food and touches it on a carefully set table. Each dish evokes the memory of a moment from his life.

Kan, a young student who has not moved on from his past, is traveling home to his mother, whom he has barely contacted. While riding the train, he revisits his past and finds fragments of memories about his ex-girlfriend, the story of their relationship, and how it ended. How will Kan learn something and return to his family and move on from the past?

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

No profession, no say, no freedom of expression. Life as a prince consort is not exactly pleasure taxing. No constitution ascribes any function to the husband of a queen. Nowhere does it say what he must or must not do. A life in the shadow of the crown. Can that go well?

African American filmmaker David A. Wilson decided to look into his family's history during the slave era. The result is this documentary, which provides a unique perspective on the long shadow cast by slavery in America. Wilson travels to North Carolina to visit the plantation where his ancestors once toiled and to meet its current owner -- a white man named David Wilson, whose slave-owning ancestors originally occupied the property.