Street Scene in unidentified European city

A day-to-day record of the construction of the Confederation Bridge linking Prince Edward Island to the mainland, Abegweit reveals some of the innovations that made this mammoth project one of the most impressive engineering feats in Canadian history.

In 1858 Charles Darwin struggles to publish one of the most controversial scientific theories ever conceived, while he and his wife Emma confront family tragedy.

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

May 5, 1821. Napoleon Bonaparte, deposed emperor exiled on the island of St. Helena, is about to take his last breath. The son of a Corsican family, he has been close to death on many occasions since, as a young captain in the revolutionary army, he seized Toulon from the royalists in 1793.

Inspired by the book of the same name, film-maker James Marsh relays a tale of tragedy, murder and mayhem that erupted behind the respectable facade of Black River Falls, Wisconsin in the 19th century.

With a divine answer to a humble prayer at age 14, Joseph Smith began to fulfill his inspired mission. He translated the ancient Book of Mormon and restored the everlasting gospel of Jesus Christ. Many flocked to the American frontier to worship with the Church of Jesus Christ of Latter-day Saints, led by the Prophet Joseph's dynamic and courageous example. Unstopped by his martyrdom at age 38, Joseph's legacy continues today in the dedicated lives of Saints throughout the world who still sing; "Praise to the Man who Communed with Jehovah!"

Starting in 1881 this film shows the personal battle between Lenin's Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.

The little-known story of a deadly race massacre and carefully orchestrated insurrection in North Carolina’s largest city in 1898 — the only coup d’état in the history of the US. Stoking fears of 'Negro Rule', self-described white supremacists used intimidation and violence to destroy Black political and economic power and overthrow Wilmington’s democratically-elected, multi-racial government. Black residents were murdered and thousands were banished. The story of what happened in Wilmington was suppressed for decades until descendants and scholars began to investigate. Today, many of those descendants — Black and white — seek the truth about this intentionally buried history.

In the 19th century, China held the monopoly on tea, which was dear and fashionable in the West, and the British Empire exchanged poppies, produced in its Indian colonies and transformed into opium, for Chinese tea. Inundated by the drugs, China was forced to open up its market, and the British consolidated their commercial dominance. In 1839, the Middle Empire introduced prohibition. The Opium War was declared… Great Britain emerged as the winner, but the warning was heeded: it could no longer depend on Chinese tea. The only alternative possible was to produce its own tea. The East India Company therefore entrusted one man with finding the secrets of the precious beverage. His mission was to develop the first plantations in Britain’s Indian colonies. This latter-day James Bond was called Robert Fortune – a botanist. After overcoming innumerable ordeals in the heart of imperial China, he brought back the plants and techniques that gave rise to Darjeeling tea.

L’épopée des vignerons

Recounts the 40-year history of building the Salt Lake Temple, shown as if recounted by Wilford Woodruff to a young reporter. It portrays the pioneers' dedication to temple worship.

They called themselves the United Society of Believers in Christ's Second Appearing, but because of their ecstatic dancing, the world called them Shakers. Ken Burns creates a moving portrait of this particularly American movement, and in the process, offers us a new and unusually moving way to understand the Shakers.

In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility, American avant-garde filmmaker Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.

One of the most controversial figures in U.S. history, Jesse James has captured the imagination of the world for more than a century. Teen guerilla fighter, Civil War soldier, notorious bandit, James holds a place in popular legend like no other. Through expert accounts, historic analysis and forensic science, this revealing exposé traces the outlaw's life from his humble Southern childhood through his rise to infamy and his mysterious death.

The Impressionists are the most popular group in art history – millions flock every year to marvel at their masterpieces. But, to begin with, they were scorned, penniless outsiders. 1874 was the year that changed everything; the first Impressionists, “hungry for independence”, broke the mould by holding their own exhibition outside official channels. Impressionism was born and the art world was changed forever. What led to that first groundbreaking show 150 years ago? Who were the maverick personalities that wielded their brushes in such a radical and provocative way? The spectacular Musée d’Orsay exhibition brings fresh eyes to this extraordinary tale of passion and rebellion. The story is told not by historians and curators but in the words of those who witnessed the dawn of Impressionism: the artists, press and people of Paris, 1874.

A film that uses literary, structural, autobiographical, and performance metaphors to construct a series of tableaux that evoke the act of vision, the limits of perception, and the rapture of space.

The animated documentary Proteus explores the nineteenth century's engagement with the undersea world through science, technology, painting, poetry and myth. The central figure of the film is biologist and artist Ernst Haeckel, who found in the depths of the sea an ecstatic and visionary fusion of science and art.

The life and struggles of Ferdinand Maximilian Joseph Maria of Habsburg-Lorraine (1832-1867), emperor of the Second Mexican Empire as Maximilian I of Mexico from 1864 to 1867 (under the wing of Emperor Napoleon III and the French Empire), his tragic confrontation with Mexican leader Benito Juárez, the defeat of the will and the end of a dream.

From the BFI Collection, this film is actually two films spliced together into one. The first is Birt Acres' work 'A Corner of Barnet Fair' which is the first film seen . This shows a merry-go-round and some people sitting in a doorway while street traffic goes by. The second film is a fragment of unknown origin of a street outside a very large building of what looks like a possible theatre, with a large Victorian awning. the shop next door appears to be selling wines and spirits. A horse drawn charabanc goes past, followed by a male bicyclist. This is closely followed by a male and female couple in an open carriage and two carts with workmen staring at the camera as they pass. Both films are believed to be from Barnet, given they have been spliced together. The film is in a deteriorated state with some rippling.

Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.