We, Women

Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.

The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, have sex, and choose.

On what seems to be just another ordinary day, a man is exposed to sexism and sexual violence in a society ruled by women.

A traditional Egyptian family is celebrating the birth of their newest child a baby doll. The doll grows up and is undergoing genital mutilation and is getting ready to get married. Through the exploration of the relationship between sound and moving pictures “Object” deconstructs the childhood of a common Egyptian girl.

The opening of a new swimming pool is the talk of the town – particularly because Sunday has been announced as a day for women.

The memory of a little girl's first communion day gone down the sh*tter.

There is a world beyond our world where men say NO to Women when it comes to the making decision. Most women suffer extreme inequality, but only few women accept dangers and fights against it.

The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.

In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

Mildred and Doris are two middle-aged white women, from very different backgrounds, who become lovers and set up house together. Film explores the pleasures and uncertainties of later-life emotional attachment and lesbian identity in a culture that glorifies youth and heterosexual romance.

A young peasant woman decides to become a tractor driver.

Violeta leaves a party, only to find out a sexual predator is following her.

In modern day Iran, a female attorney fights for the custody of her seven year old diabetic son following a divorce from her husband. When the courts rule against her, she takes desperate actions that lead to tragic events.

After watching a film, Jane, a young woman, finds herself trapped within the theater, under the haunting gaze of the man who resides there. During her time at the cinema, she discovers the truth of reality - that women face a predatory gaze throughout the course of their lives, and The Gaze captures Jane's journey trying to escape that harsh reality.

Tess McGill is an ambitious secretary with a unique approach for climbing the ladder to success. When her classy, but villainous boss breaks a leg skiing, Tess takes over her office, her apartment and even her wardrobe. She creates a deal with a handsome investment banker that will either take her to the top, or finish her off for good.

The true story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted.

Following a traumatic event at her grandparents' house, 10-year-old Rose embarks on an obsessive quest to see and understand the forbidden world of adults by herself.

The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.

The films spans two decades as the story unfolds in a series of flashbacks that begin when Qiyue and Ansheng were just thirteen. The two became inseparable until they met a boy who ended up tearing their lives apart.

A taboo in the family: the death of my great-grandmother Sofía. The surface of this history is known but not the background and much less the beginning, only its end. The tragic end The answers are in the family, in my grandparents and my uncles. This project is a tribute to her and the woman she was.