Michel Brault, l'instinct de vue

Feature-length documentary as part of Pierre Perrault's Abitibian Cycle. The filmmaker questions the past and present of Abitibi and draws up, face to face, the promises of colonization in the 1930s and the great disappointment caused by the closing of the land in the 1970s. There are witnesses to the heroic era, including the cultivator Hauris Lalancette, as well as extracts from films by Father Maurice Proulx (1934-1940).

A documentary about direct-cinema from its very beginnings (Nanook of the North) to the fake-direct-cinema of the Blair Witch Project. All the important direct-cinema filmmakers are portrayed and/or interviewed: Leacock, Wiseman, Maysles, Pennebaker, Reisz and others.

A working class family leaves St-Henri quarter in Montréal to build a new home in the countryside.

"Montréal under the snow and the cold winter. It is the period of the year when the garage owners strike it rich. The automobile at the service of man? This small opus would rather show the contrary. This is one in a series of eight films titled “Chronicle of Everyday Life,” a project that filmmaker Jacques Leduc took four years to realize, and whose goal was to revisit Direct Cinema at a moment when it was already heavily “contaminated” by mainstream TV." - Anthology Film Archives

"This documentary depicts a canoe being built in the traditional manner. Cesar Newashish, a 67-year-old Attikamek of the Manawan Reserve North of Montréal, uses only birchbark, cedar splints, spruce roots, and gum. With a sure hand he works methodically to fashion a craft unsurpassed in function or beauty of design. Building a canoe solely from the materials that the forest provides may become a lost art, even among the Native Peoples whose traditional craft it is. The film is free of spoken commentary but text appears on the screen in Cree, French, and English." - Anthology Film Archives

"This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America." - NFB

"This film is one of the first French Unit productions of the “Société Nouvelle/Challenge for Change” program. When an old area of Montréal is to be demolished to make way for a new low-income housing development, is there anything the residents can do to protect their own interests? The film documents such a situation in the Little Burgundy district of Montréal and shows how the residents organized themselves into a committee that successfully influenced the city’s housing policy." - Anthology Film Archives

The exploding cork. Endless tiny bubbles floating up and up in the glass. An indulgence. A celebration. A seduction. A triumph. This is the essence of Champagne, isn’t it? But it’s not just bubbles in a glass that makes the wine, or the mystique. Only sparkling wine produced within the boundaries of the Champagne region is truly “Champagne.” At first glance, the region is not an obvious source of romance. Champagne’s history is grim and bloody, swept by war and destruction from Attila the Hun to the filthy trenches of WWI and the Nazi depredations of WWII. The environment for winemaking is desperately hard — northerly latitude, chalky soil, copious rain, frost, rot. Yet it’s these difficulties that help make the wine unique.

'9-Man' is an independent feature documentary about an isolated and exceptionally athletic Chinese-American sport that's much more than a pastime. Since the 1930s, young men have played this gritty streetball game competitively in the alleys and parking lots of Chinatown. At a time when anti-Chinese sentiment and laws like the Chinese Exclusion Act forced Chinese restaurant workers and laundrymen to socialize exclusively amongst themselves, nine-man offered both escape and fraternity for men who were separated from their families in China and facing extreme discrimination and distrust. Pivoting between oil-spotted Chinatown parking lots and jellyfish-filled banquet scenes, the film captures the spirit of nine-man as players not only battle for a championship but fight to preserve a sport that holds so much history.

This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.

Director Kevin Booth navigates through the cutting edge of Cannabis research while becoming a foster parent to a child court ordered to take powerful mind altering drugs.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

Boston's V66 music video station came and went in the mid-1980s but in the 18 months on the air, it was one of the only over-the-air music video channels ever created. But even popular success didn't mean it was going to last...

MAD AS HELL follows Cenk Uygur's transformation from unknown talk show host on local Public Access TV to an internet sensation with his online news show "The Young Turks," which has amassed over one billion views on YouTube. Once Cenk ventures from the internet into national television and lands the 6 PM time slot on MSNBC, his uncensored brand of journalism is compromised and Cenk becomes the nexus in the battle between new and old media.

A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.

Two Nepali men climb Mt. Everest, launch a paraglider from the summit, fly over the top and set a new free flight world record.

Julian Assange: The Price of Truth

Choosing the fate of a rock musician was similar to being a dissident. From the 60s, the Soviet Union tried to discourage and restrict the expansion of rock music by any means. They called it the “rotten fruit of degraded capitalism, demoralizing the minds of Soviet youth”. Despite that, rock music broke the wall – made a hole in the Iron Curtain – and gained the hearts and minds of tens of thousands of young people.Rock musicians were on the frontline of the rebellion against the Soviet regime. Despite censorship, they managed to deliver, in a hidden, roundabout way through lyrics and music, the spirit of nonconformity and freedom of choice to their audience. A film about Latvian and Soviet rock pioneers, their lives and destinies.