Cygnus OB2#12

With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.

a short letter to a girl i've loved using visuals, sounds and some words.

Depth

It's Christmastime, and the Griswolds are preparing for a family seasonal celebration. But things never run smoothly for Clark, his wife Ellen, and their two kids. Clark's continual bad luck is worsened by his obnoxious family guests, but he manages to keep going, knowing that his Christmas bonus is due soon.

The consequences of the lockdown during COVID-19, putting the minds of two beings in an apartment to the test.

Amid the urban forest of Porto Velho, we follow a night of thought streams experienced by Pilar, a young woman who survives by writing for funeral homes. As awakened memories surface, Pilar struggles to sustain herself while undergoing a mysterious transformation.

“Peter Kubelka…was teaching at Staatliche Hochschule für Bildende Künste – Städelschule (Städel) at the time. His classes, filmmaking and cooking, were very unique, and this film was made around the time I was studying with him at Städel… This is a single-shot film, moving along the passageway using a handmade dolly. I used an Arriflex 16ST camera, and I changed the filming speed from 48fps to 4-6 fps while shooting.” - Yo Ota

“The visual harmony of the landscape is disturbed by a screen that allows us to see into the distance (television). The film is composed of six scenes that feature a television in the landscape. The speed of the television (in NTSC) is 30 frames per second, and never changes in this film. But the landscape views pass at different speeds.” - Yo Ota

“The structure of human vision is the visual knowledge of the world. Individuals do not visually understand the world through the eyes, but through the brain. That is to say, human vision has been formed by knowledge and experience. The film can show a new vision, provided that the cinema is also a kind of visual experience and visual knowledge.” - Yo Ota

“One can not speak of time as a thing in itself. It is movements and variations that give the feeling of time. Men have always linked time and spatial movement.” - Yo Ota

“This film offers a metacinematic study of tempo and change and a figure of velocity. […] Ota recorded [three different locations in Tokyo] at the interval of hours, and sometimes even days, by using different filters and by alternating the camera speed. The result…represents an inquiry into the abstract space-time of cinema where Ota plays with the physical fact that time is a ‘function of movement in space.’” –Malin Wahlberg

“Sequences of space-time manipulation that raise the problem of continuity in the shot.” - Yo Ota

“My attempt at a filmic interpretation of Haraguchi Noriyuki’s ‘Inclined Horizon,’ a three-dimensional physical work featured in the ‘Dance Hakushu 2006’ exhibition held in the Hakushu district of Hokuto City, Yamanashi Prefecture. Haraguchi’s work was modeled out of earth that will return to its original form after about a month, and my aim was to resurrect the concept of this work on film.” - Yo Ota

Percieve the images how you will; Wander is designed at having a different influence over each audience member and provoking self-reflection and deep thought. There was no singular intended storyline.

A Wicked Tale is a thriller based on the story of the Little Red Riding Hood, a tale about manipulation, seduction and innocence lost.

A mysterious entity closes in around John, keeping him trapped inside his house. The only thing protecting him from being crushed is the egg timer ticking down on his kitchen table.

Super 8mm by Paul Clipson. Sound by Jefre Cantu Ledesma.

Film by Paul Clipson. Music by Jefre Cantu Ledesma.

Super 8 films by Paul Clipson. Sound by Jefre-Cantu Ledesma.

Super 8mm, 21 min., b&w, music by Jefre Cantu-Ledesma.