Rain

A woman experiences past, present, and future through a nightmare.

A lonely boy starts an online relationship with a girl during lockdown. One day she vanishes and as the days go by the line between the digital and the real starts to blur.

The restaurant opens. Customers eat. The restaurant closes. For one employee, this daily routine becomes his personal hell.

Inspired by the collaborative practice of composer John Cage and choreographer Merce Cunningham, composer Joan La Barbara and filmmaker Aleksandar Kostic created an event in which the film and music were conceived independently, allowing the two works to meet for the first time in performance.

A short video about the processing of matter, using found footage, all food-related, as its material. A comparatively unobtrusive soundtrack, though one which underlines the seriousness of the subject, has been added.

A beautiful memory is erased by the gushing water; place and people long gone, swept up by the tide.

That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.

Heart Murmurs is a poetic dialogue between the filmmaker and Dean, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic, Dean expresses his sense of self in the face of regular medical challenges.

This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.

Ananias, a San Francisco Bay Area artist and immigrant, performs the folkloric Danza de los Viejitos (the Dance of the Old Men). Originally from Michoacán, Mexico, where the dance originates, Ananias interprets its movements through the lens of his spirituality, his long-term HIV-related disabilities, and his search for a place in the world.

Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.

Beneath the blinding lights of an amphitheater that exist just slightly out of time and space. Moira, a girl clad in white danced like a puppet on a string to the tunes of looming horrors but also to the romanticism and tragedy that comes with humanity’s strong attachments to their kind and in some cases, to their own fate.

Sebastian, an ambitious magazine creator wants to explore the world and document his experiences. During his maladaptive daydreams, reality comes crashing down on him.

Sequel to Moon Men, Summit of Saturn follows Adrian and Sumner as they live in isolation in the city, unable to figure out themselves creatively. Reality soon starts to dissolve around them as they descend into cosmic madness and they must find their separate ways out.

A documentary about the sea and memory. Its movement is its form. Its strength.

Shot entirely on vintage VHS-C tapes and loosely following the greek myth, The One and Only Aethon is a surrealist nightmare. The story follows Aethon as he struggles with his eating disorder and overbearing hyper masculinity. He is coxed by a seemingly helpful weight loss tape from Dr. Milton Mysercough, but something evil lurks that might just be himself...

A collection of moments as a man attempts to recover from a heartbreak, but finds himself in mental turmoil.

A theoretical exercise can stem from a physical one: using the camera as if it was the vibrating device placed on the olive trees for the harvest of its fruit, the final result is a series of original and intriguing images. The camera shakes, gets in and out of focus, and we don’t exactly know what is happening. At first this is a strange disorientation, but then you get used to it through the cyclical mechanical noise that joins the images. The words of a peaceful female voice allows you to frame the film: a visual exercise after all can also be free.

Then, now, where? how?

Canceled short film.