Bright Future

Shedding new light on a geopolitical hot spot, the film — written and produced by John Maggio and narrated by Korean-American actor John Cho — confronts the myth of the “Forgotten War,” documenting the post-1953 conflict and global consequences.

Director Juan José Arias uses old family videos to try to find out what kind of person his father was. His image comes back in dreams, his voice whispers in the smell of rain and his embrace lies in an old house in the country where they used to spent the holidays. Reality, memories and dreams blur together in a poetic way.

In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He became a star of the North Korean propaganda machine, but then disappeared from the face of the earth. Now, after 45 years, the story of James Dresnok, the last American defector in North Korea, is being told for the first time. Crossing the Line follows Dresnok as he recalls his childhood, desertion, and life in the DPRK.

Two young North Korean gymnasts prepare for an unprecedented competition in this documentary that offers a rare look into the communist society and the daily lives of North Korean families. For more than eight months, film crews follow 13-year-old Pak Hyon Sun and 11-year-old Kim Song Yun and their families as the girls train for the Mass Games, a spectacular nationalist celebration.

A journey through Kim Jong Un’s past and present to understand the man and the myth who holds North Korea’s uncertain future in his hands.

A prismatic exploration recounting the 1950s visit of Parisian elites led by Chris Marker and Claude Lanzmann in the newly formed Democratic People’s Republic of Korea, the communist state that claims the allegiance of the filmmaker’s grandmother during the Korean War.

They speak the same language, share a similar culture and once belonged to a single nation. When the Korean War ended in 1953, ten million families were torn apart. By the early 90s, as the rest of the world celebrated the end of the Cold War, Koreans remain separated between North and South, fearing the threat of mutual destruction. Beginning with one man's journey to reunite with his sister in North Korea, filmmakers Takagi and Choy reveal the personal, social and political dimensions of one of the last divided nations on earth. The film was also the first US project to get permission to film in both South & North Korea.

True crime meets global spy thriller in this gripping account of the assassination of Kim Jong-nam, the half brother of the North Korean leader. The film follows the trial of the two female assassins, probing the question: were the women trained killers or innocent pawns of North Korea?

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.

Ryun-hee Kim, a North Korean housewife, was forced to come to South Korea and became its citizen against her will. As her seven years of struggle to go back to her family in North Korea continues, the political absurdity hinders her journey back to her loved ones. The life of her family in the North goes on in emptiness, and she fears that she might become someone, like a shadow, who exists only in the fading memory of her family.​

If the cityscapes and patriotic anthems of this film seem a far cry from the bleak landscape of Seoul Train, that's no accident. Dutch filmmaker Pieter Fleury, with the full permission and cooperation of the North Korean government, created this propaganda film that gives us a glimpse of a day in the life of one of the world's most enigmatic societies. A Day in the Life, largely dictated by the North Korean film bureau, follows a typical North Korean family through their daily duties, largely dedicated to the pride in the North Korean nation of comrades and the glory of General Kim Jong Il. The film is meant to extol the success of modern North Korea. But does it? With straight footage and a total absence of narration, viewers may interpret Fleury's film in a slightly different manner than intended

The first film to fully expose the humanitarian crisis of North Korea, this stylish, deeply moving documentary is centered around astonishing interviews with survivors of North Korea's vast and largely hidden prison camps, and interspersed with archival footage of North Korean propoganda films and original art performances.

Join National Geographic's Lisa Ling as she captures a rare look inside North Korea - something few Americans have ever been able to do. Posing as an undercover medical coordinator and closely guarded throughout her trip, Lisa moves inside the most isolated nation in the world, encountering a society completely dominated by government and dictatorship. Glimpse life inside North Korea as you've never seen before with personal accounts and powerful footage. Witness first-hand efforts by humanitarians and the challenges they face from the rogue regime.

Hana, dul, sed

"A Postcard from Pyongyang" is a journey into a deeply enigmatic and completely isolated country that keeps the world in suspense: North Korea. Friends Gregor Möller, Philip Kist and Anne Lewald visit in 2013 and 2017 and do what is strictly forbidden and for which they might have ended up in a forced labor camp: even though accompanied by state watchers, they secretly film their travels, accompanied by state watchdogs. We get an extraordinary insight into one of the most closed societies in the world and experience the 'beautiful new world' as the state propaganda machinery displays it.

In 1978, two South Korean filmmakers--Director Shin Sang-ok and his star actress and ex-wife, Choi Eun-hee--were abducted and smuggled into North Korea in order to revolutionize the country's dying film industry.

Pyongyang, a city full of happy people and flowers. A city of factories with smiling seamstresses and welders of locomotives. A city of power plants the illuminate department stores offering the fruits of the labour of its workers and peasants. Everybody spends their free time in sports palaces with synchronized swimming and white doves, or in the palace of cultures, where young pioneers play the accordion. Old men and women go on walks and young lovers rent boats by the river, above which arches a rainbow, a symbol of happiness and contentment.

Bob Woodruff’s daring 880-mile journey along the China-North Korea border examines the delicate relationship between the two countries and the United States.

On September 22, 1998, the Iranian poet Hamid Hajizadeh and his nine-year-old son Karun, whose name symbolically refers to Iran's longest river, were brutally murdered in their home in Kerman. The documentary film, based on the statements of the survivors, tries to sensitively reconstruct one of the many terrible motivated events that took place in Iran at the end of the previous century and draws us into the fateful day with the help of detailed shots of the objects in Hamid's study.

Shin Dong-Huyk was born on November 19, 1983 as a political prisoner in a North Korean re-education camp. He was a child of two prisoners who had been married by order of the wardens. He spent his entire childhood and youth in Camp 14, in fact a death camp. He was forced to labor since he was six years old and suffered from hunger, beatings and torture, always at the mercy of the wardens. He knew nothing about the world outside the barbed-wire fences. At the age of 23, with the help of an older prisoner, he managed to escape. For months he traveled through North Korea and China and finally to South Korea, where he encountered a world completely strange to him.