Uzbek Madonna

The first meeting of a U.S. president and a Mexican president took place when William Howard Taft met Porfirio Díaz on 16 October 1909, in El Paso. The meeting was celebrated in both El Paso and Juárez with parades, elaborate receptions, lavish gifts and large crowds. Shot by the pioneers of Mexican Cinema the brothers Alva. This is a typical example of newsreel material prior to the Mexican revolution. By hemerographical references we know that this footage was presented to the then president of Mexico General Porfirio Díaz in the Castle of Chapultepec, then residence of the president.

Uzbek youth confess their dreams, take flight, and negotiate the reality around them. Directed by Kirill Kulagin. In this documentary directed by Kirill Kulagin, Uzbek teenagers share their innermost dreams. And rather than talk of only fantasies, these dreams unearth the reality these youth face and how they negotiate with it. In Central Asia, talking about oneself can seem impolite. From an outsider perspective, emotions in this culture are only spoken about indirectly, lest they “air [their] dirty laundry in public.” But talking about dreams can break through this social barrier. For the film, Kulagin ran filmmaking labs with Uzbek youth to explore their real stories and real feelings surrounding dreams. These dreams served as jumping-off points to discuss deeper fears and desires, which turned into metaphors and a visual language based on how they navigated the boundaries of intimacy.

A group of men shows the 'before and after' physical effects of a journey upon the Mount Aspiring area. Mount Aspiring (9,960 ft.), known as the Matterhorn of New Zealand, together with Mount French, mark the end of the Otago and Westland regions. The movie does not show scenes of the climbing itself, but collects the testimonies of the members of the group, led by Jack Aitken. The other members are Bill Young, Stewert J. Macdonald, Victor Bowden, and Roland Ellis.

A walk through the life and work of the brilliant French filmmaker Georges Méliès (1861-1938), pioneer of special and visual effects.

Rock climbing on the "Cobbler". Awarded first prize by Michael Powell in the 1948 Scottish Amateur Film Festival

Tashkent: The End of an Era reconstructs the complex history of Tashkent by means of archive footage which has never been shown before and the testimonies of its inhabitants.

The tragic story of the greatest soccer player the most have never heard of.

From 1920 to 1965, the great Buster Keaton made spectacular use of locomotives in his films. This video essay charts the course of his iconic cinematic career across the many tracks he rode along on screen: as a young man in the surge of his silent movie ascent in Our Hospitality, while making his masterpiece The General, and traversing the width of Canada on a railway speeder car as an old man in The Railrodder.

The epic and poetic tale of the early years of Italian cinema, from 1896 to 1930: how peplum was born, how the first stars shone, how many daring filmmakers were able to create an original style amalgamating literature, theater, painting and opera; a tale of splendor and decadence.

Documentary on the rise and fall of the Danish silent film industry.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Charlie Chaplin, The Tramp. In this documentary, we will take a look at the life of actor and director Charlie Chaplin, and talk about his films and hidden symbolisms.

A short actualité depicting the aftermath of an infamous accident in Costa Rica when an overcrowded train carrying mostly farmers and labourers derailed while crossing the Virilla River Canyon, killing at least 250.

We look first at Westminster Abbey and the Towers of Parliament. And the sight-seeing only starts there as it continues to all the famous buildings of London.

"Iwa Wanja - Kissed by Fate, Forgotten by Everyone", is dedicated to the German film star with Bulgarian roots Ivanka Janakieva. The actress's life is full of twists, dramas and blows of fate, and her remarkable film career makes her the only Bulgarian woman with a name in European cinema from its silent period.

London After Midnight (1927), directed by Tod Browning and starring Lon Chaney, is the most sought-after lost film by fans of fantastic cinema. Has this mythical treasure finally been found in an old South American cinema?

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

História de Amor em 16 Quadros por Segundo

Documentary chronicling the career of Grace DeCarlton Ross (1890-1983) from her days acting in silent movies to the 1980s when she was living in Portland, Maine and still dancing in her nineties.

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.