Jorge Aragão - Ao Vivo Convida

Italian tenor Andrea Bocelli grew up in Lajatico, a rural village in Tuscany, where his family still farms nearby. In July 2007, on the slopes of his ancient hill town, a special theater was constructed for a one-night-only concert of his greatest popular hits along with new songs performed to honor the occasion. Some famous musical friends dropped by and the magical result is Andrea Bocelli - Vivere - Live in Tuscany, premiering this December on PBS.

British filmmaker Simon Cellan Jones directs the BBC drama Eroica, starring Ian Hart as Ludwig van Beethoven. Shot on digital video, this TV film depicts the first performance of Beethoven's Third Symphony, June 9th, 1804, in Vienna, Austria. Prince Lobkowitz (Jack Davenport) has invited friends to listen to Beethoven conduct his new symphony for the first time. Among the aristocratic attendees are Count Dietrichstein (Tim Pigott-Smith), Countess Brunsvik (Claire Skinner), and composer Josef Haydn (Frank Finlay). The actual musical score is performed by the Orchestre Revolutionaire et Romantique, under the direction of John Eliot Gardiner.

In Search of Beethoven offers a comprehensive documentary about the life and works of the great composer. Over 65 performances by the world's finest musicians were recorded and 100 interviews conducted in the making of this beautifully crafted film. Eleven interviews are included in the Extras and Six complete movements.

Elmer Fudd introduces two pieces of classical music: "Tales of the Vienna Woods" and "The Blue Danube", and acted out by Bugs Bunny, Porky Pig, Laramore the Hound Dog, a family of swans, and a juvenile Daffy Duck.

Go behind the scenes with one of London's most important musical institutions.

Recorded concert movie chronicling many of the works of P.D.Q. Bach

The Dutch violinist and the Johann Strauss Orchestra perform a number of musical hits. André Rieu is one of the bestselling modern classical artists, with over 20 million sales worldwide and a string of successful tours behind him. Rieu set up the Johann Strauss Orchestra in 1987 with the dual aim of promoting the waltz music he loves while introducing a wider audience to the pleasures of classical music. Here Rieu and his orchestra turn their attention to memorable songs from stage musicals, providing their own take on a number of popular tunes.

Thirty years’ Johann Strauss Orchestra, and on the Vrijthof square for the thirteenth year running. Surely a good reason for a party! Enjoy André Rieu and his Johann Strauss Orchestra and an evening that is more festive than ever! To name a few highlights: Handel's impressive Hallelujah, sung by all soloists and the choir, Hava Nagilah, Think of Me from The Phantom of the Opera, Ballade pour Adeline, O Sole Mio, sung by the Platin Tenors, La Traviata, Highland Cathedral and of course beautiful waltzes by Johann Strauss. And as icing on the cake, a performance by David Hasselhoff, who together with André Rieu, goes through the roof with Looking for Freedom, Love Me Tender and Paloma Blanca! The audience sings and dances along ecstatically. It was a magical evening in Maastricht, relive it with this fantastic anniversary Blu-Ray.

Ian Hislop and John Eliot Gardiner reveal the story behind Beethoven's Fifth Symphony. Described as the 'greatest 'great' piece ever written,' its opening notes are among the most recognisable in history. But no one really knows what Beethoven was trying to express with this piece. The traditional wisdom is that he is railing against fate and his deafness. But John Eliot believes the music expresses Beethoven's belief in the French Revolution. This is turbulent music from a turbulent man living in a turbulent age. John Eliot and Ian Hislop bring to life the exciting and dangerous times that shaped Beethoven personally and creatively.

Mart'nália - Em Samba! Ao Vivo

Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.

Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil. In this case Bach wrote them for his young wife, Anna Magdalena. The over-riding impression left by these suites is one of endearing tunefulness. Clavier-Übung II is a later collection of didactic keyboard pieces. It comprises two greatly contrasted works: the Italian Concerto and the Overture in the French Style. These performances admirably demonstrate the thoughtful and persuasive approach that András Schiff adopts when performing Bach. Recorded live at the Bachfest 2010, Protestant Reformed Church of Leipzig, 11 June 2010 Repertoire J.S. Bach: French Suites Nos. 1–6, Overture in the French Style in B minor, Italian Concerto in F major, BWV 971

Emma, a talented conductor and rising star on the Montreal scene, has a complicated relationship with her father and agent Patrick. She has to face up to her emotions and decide whether she wants to successfully combine her career with her love affair with Naëlle, a recently separated cellist and mother of a young son.

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.

This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.

An aspiring classical pianist loses his hearing and, with the help of those closest to him, must find the strength to play again. . .

Zeca Pagodinho - MTV Unplugged

"Probably the best living pianist" headlined the Berliner Morgenpost's review of Grigory Sokolov's sold-out June 2013 recital at the Berlin Philharmonie. "The four Impromptus could no be interpreted more dramatically... The D 946 Pieces cried out with despair an longing for death." (from DVD cover)

Layar, a popular film star who feels bored with his career wants to make a musical theater set in a family history that is always linked to Indonesian film history.

Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.