souls in the square. days run away. eight tiers down the stairs. lips smashed against the rail.

Cab Calloway sings "We the Cats Shall Hep Ya".

“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher

2-minute animation film to music by John Coltrane.

Joo Si auditions for the opportunity of a lifetime to be a principal backup dancer for the sexy female pop singing sensation, The 4Play Ladies.

After uncovering a degraded vinyl album in an abandoned home, three musicians attempt to reimagine one of its songs.

A short animation set to and inspired by The Cure's One Hundred Years. Max Anderssons debut animation film won 1st Prize at Melbourne international Film Festival, 2nd Prize at Los Angeles Animation Celebration and a special prize at Berlin Film Festival.

A single day: from the tender break of dawn to the darkest night. One out of many days to come? Quite possibly the very last. A long farewell, an ultimate goodbye to a life we have grown to hold dear. Leading to a head-on dive into a new reality, into a new state of being. To long for the unknown. To desire to be at the mercy of chance. Last caresses in solidarity, last minutes in shelter. End means beginning. Death becomes birth. From water, back into water. From gas to solid. Everything is commenced by woman, everything ends with a woman.

Based on the Biblical story of sin and redemption, Adam and Eve explore modern LA; the land of gods and monsters.

Do Útero Ao Túmulo

To recover a silver lion ornament for singer Emma Bunton Tim travels back to the court of Henry Vlll where Anne Boleyn (Emma again) asks jester Tim to send invitations to the guests for her Christmas party. However Cardinal Wolsey aims to steal them so that they will come to his own party and Tim must thwart him.

Joyful, androgynous forms shimmy across the screen to the sound of world-beat music.

The Bonzo Dog Band freak out at the farm and strange sounds abound.

A short film featuring two new records from Jasmine Cephas Jones' forthcoming debut album PHOENIX, detailing the journey of growth, transformation, and finding one's true self.

Documentary tribute to what VH1 called “the single greatest rock omnibus program ever aired” and Brooklyn Vegan named “the most consistently weird and awesome thing on cable television in the ’80s.” This ‘Best Of’ episode features some of the most memorable moments of Night Flight's near-decade long run including restored interviews and segments from Kate Bush, New Wave Theatre, David Lynch, Prince, Wendy O Williams, Divine, Billy Idol, Johnny Rotten, and much more Night Flight treasures from the archive.

A woman who can't stand the passing of time turns herself into a black hole. A thousand unchanging years pass inside her warm and dark embrace until, finally, the Singularity awakens inside.

Puppet animation of Bert Ambrose and His Orchestra performing. A Puppetoon animated short film.

Short film based upon a ballet by Yves Bonnat & Françoise Adret

In this short film, a boy holds a talent show in his backyard by and for his adolescent friends.

Behind the scenes taken from the original Absolution Special Edition CD + DVD.

The Gay Parisian is an American short film produced in 1941 by Warner Bros. featuring the Ballet Russe de Monte-Carlo and directed by Jean Negulesco. The film is a screen adaptation, in Technicolor, of the 1938 ballet Gaîté Parisienne, choreographed by Léonide Massine to music by Jacques Offenbach. It was nominated for an Academy Award at the 14th Academy Awards for Best Short Subject (Two-Reel).