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Feature-length documentary on the making of HOT DOG... THE MOVIE.

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.

Fifty years after its release, the special effects makeup team behind Planet of the Apes reflect on making the iconic film.

Cecil B. DeMille, l'inventeur du blockbuster

A feature-length documentary about the film Galaxy Quest and its legacy, celebrating its milestone 20th anniversary.

A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.

A documentary about Fassbinder and the early years of the legendary Antiteater, the group he was a member/leader of. You can here see and hear some of the actors he was going to use in his movies for the next years. The movie shows rehearsals for his play "The Coffeehouse," which also became a television movie, and you can watch unique footage from the 19th Film Festival in Berlin (1969) where "Love is Colder Than Death" was shown. As told in this documentary, his first feature movie was given a cold shoulder by many of the journalists and visitors at the festival. You can in "End of the Commune" watch Fassbinder and actor Ulli Lommel walk out on stage after the opening of "Love is Colder Than Death,” while a man in the audience is shouting "Out with the director!” In this documentary, Fassbinder also talks a lot about his father, who was a respectable doctor.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

Edgar Morin, chronique d'un regard

The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

Spain, early 20th century. As a child, Leocadia Cantalapiedra was dazzled by a new art: cinema; but she lives in a society where directing films is something only men can do.

A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

A feature length documentary about Australian popular entertainment across 150 years; of Skating and Dancing, Vaudeville and Moving Pictures.

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.