A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
This experimental short film follows a used car salesman... or a politician... or a man painting a toilet red.
It is the year 2020 and women have lost the right to their bodies completely. In this tale of sweet revenge, a cult of courageous women go to extremes to take back what is rightfully theirs.
Performance art. Two men are stuck in an enclosed space.
This video contains six life size boxes, made to measure. They are working models exploring how the architecture of the boxes (i.e. planes, axis and volume) can be used to see the human figure as an object in three dimensional space.
A young artist, Sofia - a photographer, wanders the streets at night with her camera. She's led by a mysterious graffiti artist through his written poetry on street walls and embarks upon a spiritual quest.
In the video art work "MERAHEFET" describes the world of a ghost, from her point of view floating over places that become a spring, a path that suggests a deep longing that is only revealed when the ghost stops for a moment to look out the window. This moment when she manages to take control of it, is flooded with flashes of mirrors that reveal to the viewer and the spirit what motivates her to continue her journey.
Described as 'a fairytale with its roots in the worlds of dadaism and surrealism'.
The story of superhero Donatella Privada from birth to rebirth
Art film part of the REWIND + PLAY, An Anthology of Early British Video Art box-set.
Untitled pays tribute to the life and work of the dancer and choreographer Arnie Zane, who died of AIDS in 1988. His long-time partner Bill T. Jones evokes memories of Zane through a stark, eloquent dance-lament and a parade of ghostly portraits and photographs.
In this video Vromman shows us virtuoso how a “plan séquence” is capable of exploring a given spatial arrangement notably an abandoned church in Ghent. It is as though the camera possesses a will of its own, or, more appropriately, as it became itself a dancer within the given space. The columns become veritable side wings behind which the dancers are playing hide and seek and where perpetually new movements and new images are discovered. Summary by argosarts.org
A creature traverses an uncertain terrain
This world has filled me with rage is a 4,5 minute video reflection on survivor's guilt, the world in its current and troubling state and lastly love. It was created in the aftermath of a trip to the countryside in the north of France in the spring of 2025 by Brussels based artist Jonas Reubens
A student made film tackling the theme of space, how it is used and how it affects. In this particular instance we follow the quite absurd actions taking place in the context of quite a serious, linear and industrial setting. The actions intended to guide self awareness of the participants surroundings and allow them to in turn be more aware of them and the space they occupy. These instructions also form part of a list of equal absurd instructions which may continue to grow.
Two-part performance series, developed, performed, and recorded on film on 11 March 2014 at the ECAL, Lausanne.
A woman meets the man of her dreams in the wrong dimension.
This narrative restraint appears perhaps most clearly in Wangechi Mutu’s video Cutting, in which the artist enters the frame and proceeds to rhythmically hack away at a log in an expansive desert landscape before finally laying down her machete and leaving the frame.
A documentary-art film, incorporating dance sequences alongside interviews with such luminaries as Rigoberta Menchú Tum, a K’iche’ Guatemalan human rights activist, feminist and Nobel Peace Prize laureate, and current Guatemalan president Bernardo Arévalo.
This is a story about a man who believes that he has two “selves” - external and internal. That is, an organism is a certain conglomerate of cells, each of which is a separate individual. This hybrid creature has a certain common personal “I” that uses the entire organism, and is the organism itself, which has its own will. According to the character, one can communicate with him, which is what he is trying to do. He wants to reach him and comes up with different ways of communication: injecting substances under the skin or intravenously, tattooing texts on the body, swallowing objects. The answer would come in the form of a rash or other physical manifestation that had to be interpreted. As a result, communication is carried out and the second “I” agrees to die.