The weekend before their high school graduation, longtime best friends Hally and Joe visit their old hometown haunts to reminisce about the past. Each location represents a stage of grief as the two friends leave their adolescence behind them and prepare for the next chapter of their lives.
Vaqueros
Blue-collar Paulie prepares for fatherhood and his forthcoming wedding to Sue by hanging out with his groomsmen. Brother Jimbo, cousin Mike, and his pals fill the reunion with drinking, boys-will-be-boys antics and a few unexpected personal confessions. But, when the bonding devolves into accusations and regret, Paulie has to decide whether he's ready to tie the knot and take this big step into adulthood.
Anthea is 25, single, hates her job – and all her friends are leaving Brisbane. Should she follow the herd to Sydney or London? Is there anything worth staying for now that her best friend Michael finally has a girlfriend? This film tells a universal story about finding your place and yourself...
A group of high school friends reunite in their hometown for the funeral of an old buddy, 'Bender'; they will spend a weekend struggling to accept that Bender escaped what they can't — adulthood.
A boy in early teens finds himself in danger of being demoted from his solo part in a choir due to his changing voice. He tries to fight against it, but to no avail.
When Sarah is forced to babysit her half-brother Toby, she inadvertently summons the Goblin King who whisks Toby away to his castle at the center of a labyrinth. Sarah enters into a bargain with the Goblin King where she is given just thirteen hours to solve the labyrinth and rescue Toby, or else lose him forever.
In this one-hour documentary, superstar Miley Cyrus allows unprecedented access into her extraordinary life as she rises to the challenge of presenting a new and sometimes controversial persona to the public. As a teenage star, Miley amassed millions of passionate international fans who followed her every move. Three years later, she attempts to shed her previous image while embracing music full time. Whether in the studio, at a performance, or on the set of her latest music video, Miley exudes the confidence of a creative young woman in a period of radical self-discovery who still inspires legions of admirers while confronting her critics. Ultimately, the film is an intimate portrait that captures Miley's exuberantand spirited life, her evolving identity, and her exciting transformation into amusic icon.
A child who just loved to skate from the age of eight, Poppy Starr Olsen became the number one female bowl skater in Australia at 14 and went on to take out bronze at the XGames at 17 - the ultimate competition in the world of skateboarding. The same year, skateboarding was announced as an official additional sport category at the Tokyo 2020 Olympics. Now faced with the opportunity to represent Australia on the world stage Poppy grapples with the transition from skater to athlete and the pressure of competition mounts in a way it has never done before.
After Christopher Robin abandons them for college, Pooh and Piglet embark on a bloody rampage as they search for a new source of food.
After the death of their mother, two sisters are forced to question and redefine their love for each other.
A Charles Bukowski poem is put to animation. Four kids who are friends are drawn to a strange house that their parents tell them to avoid. One day they see a man of about 30 step outside, cigar and whiskey bottle in hand. He becomes a symbol for them of all that is strong, natural, and beautiful. What happens later to this man with the beautiful eyes introduces the boys to the gray and uptight world of adulthood that awaits them.
Meena, a 12-year-old living in a mining village in the English Midlands in 1972, is the daughter of Indian parents who've come to England to give her a better life. This idyllic existence is upset by the arrival in the village of Anita Rutter and her dysfunctional family.
A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.
Jim Morris never made it out of the minor leagues before a shoulder injury ended his pitching career twelve years ago. Now a married-with-children high-school chemistry teacher and baseball coach in Texas, Jim's team makes a deal with him: if they win the district championship, Jim will try out with a major-league organization. The bet proves incentive enough for the team, and they go from worst to first, making it to state for the first time in the history of the school. Jim, forced to live up to his end of the deal, is nearly laughed off the try-out field--until he gets onto the mound, where he confounds the scouts (and himself) by clocking successive 98 mph fastballs, good enough for a minor-league contract with the Tampa Bay Devil Rays. Jim's still got a lot of pitches to throw before he makes it to The Show, but with his big-league dreams revived, there's no telling where he could go.
2007. Fred, a 17-year-old girl who just moved from Sweden to Northeast Italy, enrolls for her high school senior year—finding herself the only female student in an all-male class. Lively and good-looking, she quickly becomes the center of attention, especially for three classmates: Antero, charming and reserved; Pasini, a cocky womanizer; Mitis, gruff and sagacious. The three have been best friends for as long as they can remember, but Fred's arrival puts their longstanding bond to the test. As each of the guys secretly desires Fred for himself, she yearns to be accepted into the group and be considered 'one of them', but is asked to sacrifice more and more in order to belong.
Isa and Zoe are eleven years old, they are best friends. Through their video diaries, they tell their perspectives on the transition from childhood to adolescence, the changes they are undergoing and their concerns when they stop being girls to become women.
Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s SOPHIE JONES provides a stirring portrait of a sixteen-year-old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.
Elena has ordered dinner at home, but when she opens the door, she discovers that the delivery man is Manu, the one who was her great love and whom she has not seen for too many years.
Delphyne (meaning ‘womb’) discusses the stigma around menstruation. Addressing shame and acceptance, taboos around menstrual blood are told through a fabric-themed metaphor, and the conflict between a mother-daughter relationship; to find a shared unity and language to beat the conflict which projects itself in the shame metaphor that they’ve unwound and removed from their life. The historical connotations of staining, feminine purity and the divide between private and public space as well as ownership of the body come into play. The coming of age theme is reflected in reference to her struggle with the self (alter-ego), struggle with the ‘other’ (male influence) and struggle with the home (her Mother).