Crossing

Summertime. In a camping, three little girls listen to an old mysterious story about a missing kid. They start to investigate.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

An exploration of the relationship between sound and picture inspired by the two lights (twi-light) found inside film projectors.

Angolan director and screenwriter Pocas Pascoal reminds us that it’s time for a change, proposing through this film a look at colonialism, capitalism, and their impact on global biodiversity. We observe that the destruction of the ecosystem goes back a long way and is already underway through land exploitation, big game hunting, and the exploitation of man by man.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

When beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.

Homo Sapiens Project (201) was completed in 2021 as part of re-envisioning and restructuring Rashidi's filmography. This nineteen-hour experimental feature is constituted from many feature films produced between 2002 to 2014. These experimental features were made as a type of test or trial experiment. Rashidi assembled the films from footage accumulated over the years, archival footage, found footage and rushes donated by his close collaborators.

An anthology film consisting of four segments based on literary works by Edogawa Ranpo.

The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.

in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.

A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.

Yoshika has had a crush on Ichimiya, whom she calls "the One" since she was in middle school. Now, a 24-year-old salarywoman, her all-consuming fixation has prevented her from even considering another candidate for boyfriend until an office colleague asks her out.

A woman washes up on a beach and embarks on a surreal journey, encountering others and fragmented versions of herself in a quest for identity.

The ideal comfortability of a kitten is taken away by a man impersonating as such. Refusing to stop until the owner gives full surrender.

cloud film meditates on the calming effects of watching clouds, while also demanding action to combat our impact on the environment. It calls attention to a loss of control as the clouds turn into a storm, reflecting the momentum of climate change. As clouds float on screen, fluctuating between different frame rates, this film calls attention to its handmade form through the use of cameraless techniques such as ray-o-gramming, optical printing and hand processing.