Crossing

Using century old technology, PXXXL creates digital glitch from analog process. It was animated directly on the celluloid without a camera, in a darkroom, using lights, objects, and handmade lenses. There is no digital manipulation involved-- just light, celluloid, and processing.

Three stories. Three ages. Three men. Grandfather, father, son. One is an orderly, one is a leading sportsman, and one is a master taxidermist. One desires love, the other success, and the third immortality.

A camera rotates around the same four towers. Seasons, weather conditions and the positions of the camera change over the course of the film. The sound goes round in circles and drifts in variations.

Film by Paul Clipson. Music by Jefre Cantu Ledesma.

An intimate reading experience of voice messages from my grandmother‘s sleepless moments. A portrait of personal memory as it is reimagined and lingers for an instant. My phone camera documents wandering figures by a lakeside at night. Across from the lake, the sight of the dissolving cityscape appears to be both infinitely close and extremely remote. This film attempts to reconstruct the forgotten and the marginalized parts of individual beings in the scope of time. The film explores what’s beyond the visual expression and flows out of the flat screen to co-inhabit the space of the audience’s reality. The viewers would find themselves roaming through the ontological existence of film, confronted with sound, light, darkness, time and rhythms, transitioning between positive space and negative space, and approaching the very ambiguity of memory.

On setting and forgetting.

A hand moves gently, its presence shifts continuously.

When an ornithologist’s funding gets cut, her nurturing of abandoned bird eggs leads to a transformation as her marriage crumbles.

Thirty-six layers of water aligned to create a perfect circle. 1 of 2

He needs to be helped out.

The work is a video-poem, an exploration and reflection on the sense of vision as a tool to understand signifiers - but also and more importantly, as means through which we can interpret something by feeling it on an intuitive level. stripped of their original context, and deprived of words or sounds, mixed-media imaginary is collaged in non-linear format of storytelling. By forming different constellations of images, meaning is left open.

Capturing life through the lens of a dream, Albert explores the evocation of the subconscious mind through the vivid visualism and dynamism of images.

A man seeks revenge after the murder of his girlfriend.

Experiment by Lex Barrett.

X-hale

A kinetic prayer and structuralist intervention. Shot entirely on an iPhone 11 in a desolate Midwest laundromat, 108 spin documents the mechanics of impermanence. The film shifts from heavy turbulence to suspended repetition—not as a path to completion, but as a study of the loop itself. Featuring a layered soundscape, the work asks the viewer to stare into the rotation until the noise becomes a mantra.

A lensless exploration of hair on 35mm film.

In 2015, in Damascus, the Basateen al-Razi district and its orchards were razed to the ground as punishment for the population's uprising against the regime. Having lost everything, two former residents recall their neighborhood.

Juan Daniel's memory doesn't belong to him anymore. After an amnesiac accident at the beginning of 2009, he started watching home-videos and having reminiscent dreams in the need of reconstructing his memory and identity. Months later, he found himself with too many celluloid, analog and digital memories, three generations' eyes captured by different formats. This is the neurological experience Juan Daniel suffered.

The Tsunami uses environmental metaphor to capture the escalating violence against women crisis in Australia and globally. The normalisation of misogyny and the pervasive harm to women are central themes, reflecting the anger and frustration born from centuries of oppression. The fury of regressing, particularly during disturbing political regimes, and the profound sense of loss fuel its message. It aims to highlight the urgent need for change and the relentless courage required to speak out against patriarchy and entrenched power structures. Produced, written and directed by Nikki Teeuw.