Over a period of six years, director James Bluemel and producer Gordon Wilson followed epileptic alcoholic Nigel (37) from Oxford, England, who managed to slip through the net of the welfare system for 66 months. Self-mutilation, alcohol, and childlike delusions mean Nigel is a vulnerable man. In the words of his social worker, "Nigel has been abused financially, sexually, and emotionally for years." She's referring to the days when, while out "in the wild," a man named Robbie took Nigel under his wings. He was like a father to Nigel, while at the same time absolutely unfit for the role of caregiver, especially because he couldn't keep his hands to himself.
8mm experimental film directed by Minoru Shinojima. Shot and edited by Kenji Onishi. For 40 years, Minoru Shinojima has been opposed to mining Mt. Buko and is striving to protect the natural environment and cultural ground that inhabit the local area. Idomu’s will / last request. Spiritual journey with Mt.Buko folklore and mountain Gods (Kami-sama). An important message that the director saw after surviving a near-death experience and depression. ...Why don’t the flowers grow in the right places? Where have all the cute children gone?...
A mixture of a time travel, a documentary, artistic and performative record of the director's subjective view of the places, people and moments he spent from 2015 to 2018. Filmed on super 8 mm film.
An educational film about the life cycles of various types of pond life.
Have you ever wanted to take a year traveling the globe? 10-year-old Unai and his family do just that on an extraordinary mission to photograph an endangered animal on each continent in its natural environment. A documentary made by nature photographer Andoni Canela with his family is narrated by his young son who shares his experiences and observations as they camp in jungles, deserts, and glaciers in search of wolves, elephants, lions, bison, penguins, hornbills and crocodiles. Seen through the boy's eyes, their journey across all continents conveys an innocent and unconditional love of nature and reveals an urgency to protect the delicate diversity of our planet's wildlife. Breathtaking cinematography and an insider's view on the daily life of a professional photographer on assignment enhance the documentary's story of a family learning, playing, and living on a trip of a lifetime together.
Henri Cartier-Bresson: The Decisive Moment is an 18-minute film produced in 1973 by Scholastic Magazines, Inc. and the International Center of Photography. It features a selection of Cartier-Bresson’s iconic photographs, along with rare commentary by the photographer himself.
Repetition, delay, suppression, intertwined images. Through the child, father, and mother; the way memories are recalled, the camera's manipulative reduction of photographs, videos against their magnificence in memory.
The filmmaker Jeppe Rønde has invited 10 of the world's foremost researchers - and a robot! - to rethink our relationship with technology and its dilemmas from the outside. Philosophers, anthropologists, archaeologists and programmers show us through their thought experiments that our relationship with technology is just as much about our relationship with ourselves.
The film highlights legendary Colombian birdwatching guide Diego Calderon-Franco and National Geographic photographer/videographer Keith Ladzinski as they travel through Columbia, a nation that boasts one of the most diverse populations of birds in the world, to capture footage of rare and unique birds, some of which have never been filmed before.
Biosludged reveals how the EPA is committing science fraud to allow the ongoing poisoning of our world with toxic sewage sludge that's being spread on food crops. Features former top government scientist and EPA whistleblower Dr. David Lewis.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
Foreign Names focuses on the worker displacement in a compilation of video clips from Aroma, a coffee shop chain. Ben-Ner’s video shows counter staff at the coffee shops yelling nonsensical English “names,” fabricated and given to them by the artist. The texts edited together become a lament of the waiters’ disappearance and the state of workers today.
The work of taxonomists hides more secrets than can be perceived.
The human impact on forests is explored through breathtaking vistas and poignant vignettes set in Canada's Pacific Northwest. Those who rely on this precious resource highlight the tensions and dilemmas between commodification and conservation.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
An experimental self-portrait, MMXIII explores phenomenological subtlety, intersections of construct and verité, and the ways in which technology, landscape, and beauty coalesce.
A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
A pack of strays – seven dogs and one woman live in the shadows of Moscow. Hidden from the totalitarian authorities, two species share their existence on the verge of disappearance. They are straying in constant restlessness through a savage landscape where the city is cracking. Shot from the animal’s point of view, patterns of mutual dependence and taming begin to blur.
A psychedelic essay on Goya's paintings, image and sound. The stippled ceiling acts as noise in the images.