First Light

A camera rotates around the same four towers. Seasons, weather conditions and the positions of the camera change over the course of the film. The sound goes round in circles and drifts in variations.

In 2015, in Damascus, the Basateen al-Razi district and its orchards were razed to the ground as punishment for the population's uprising against the regime. Having lost everything, two former residents recall their neighborhood.

An afternoon of training for Olympic diver Greg Louganis transforms into a visual poem about freedom, the flight of the spirit, and the astonishing physical prowess of which the human body is capable. The title of this award-winning short film alludes to the mythical kingfisher, a harbinger of calm after the storm and a symbol of grace, elegance, and vigor.

Using century old technology, PXXXL creates digital glitch from analog process. It was animated directly on the celluloid without a camera, in a darkroom, using lights, objects, and handmade lenses. There is no digital manipulation involved-- just light, celluloid, and processing.

A short study on our relationship with natural landscapes, the evolution of spaces and the memories they hold

Before the freeze, there was beautiful garden. "Before the Freeze" is a short psychological thriller with experimental elements, about an overstressed, newly-single mother, her daughter, their dog, and what happens one afternoon when a friend comes over. "Before the Freeze" is Tenley E. Raj's debut film. Written, directed, shot, and edited and by Tenley E. Raj.

When an ornithologist’s funding gets cut, her nurturing of abandoned bird eggs leads to a transformation as her marriage crumbles.

An intimate reading experience of voice messages from my grandmother‘s sleepless moments. A portrait of personal memory as it is reimagined and lingers for an instant. My phone camera documents wandering figures by a lakeside at night. Across from the lake, the sight of the dissolving cityscape appears to be both infinitely close and extremely remote. This film attempts to reconstruct the forgotten and the marginalized parts of individual beings in the scope of time. The film explores what’s beyond the visual expression and flows out of the flat screen to co-inhabit the space of the audience’s reality. The viewers would find themselves roaming through the ontological existence of film, confronted with sound, light, darkness, time and rhythms, transitioning between positive space and negative space, and approaching the very ambiguity of memory.

The creation of an infinite space. Light modulations over water surfaces, conjugating into multiple alterations. Time and light being reshaped through a liquid lens. The illusion of a starry night turns into a sea “roofed over by rainbows.”

A study of water and fire.

A short, experimental film that traces how two lovers (who are actually CCTV cameras) argue about love, ownership and sex in a virulently capitalist state of thought, while negotiating new terms for their increasingly anarchic relationship.

Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.

Persona non grata

This experimental film was created via one pass through the camera without special visual effects. Each frame of the film was taken at night via a long time-lapse ("time-exposure") which created the actual images, and each frame of film was taken after a period of time from the previous frame, creating the movement of the images. What looks like the sun in some shots is actually the moon, over-exposed to allow the capture of the much-dimmer stars in the sky. Longer exposures for each frame can make a night-time shot look like a day-time shot, except that you can still see stars moving in the sky. This film won a CINE Golden Eagle.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

MASK is a short film from Escape the Wolf Productions

Watch drug-addled friends through the eyes of a kaleidoscope. See coloured shapes dance and flail around. Witness people clubbing, getting beaten up, dancing and being used as human guinea pigs – all these in segments held together by two French teenagers finding themselves waiting for Godot. Experiment Three is another trip into the disturbing and bizarre world of public service announcements, contorted into something confronting and colourful.

Cioranian hand

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Deluge is a 2010 post-apocalyptic short film directed by Australian musician Lulu Collard.