Inspired by Stephen Frears' "High Fidelity", filmmaker Lívia Sandim's short film celebrates the connection between art, music and identity. The story follows a protagonist who, while dancing to a David Bowie vinyl, explores his emotions and his relationship with representation. In the final act, Bowie's famous interview resonates as a manifesto of freedom and authenticity, reflecting the director's vision of the importance of expressing oneself freely.
Meryl Streep conducts us to a trip to New York City as presented in many films during the 20th Century, and how its cultural importance and impact are important to viewers. With a comprehensive gathering of clips from films between 1910's and 1990's, the documentary presents the mandatory classic films that presented the city and its multiple cultural variations, situations and the great stories filmed there. Actors and directors also discuss how they view the city in reality and also through the pictures.
Cinema é arte?
During the COVID-19 pandemic, a trans body dreams of the birth of night.
Mello, Judd, & Tooth Floss is a slice of life short about two friends who sit in their car by the ocean on their lunch break as they make up stories about passersby.
Gathering for a Christmas lunch, the film critics and writers of Discovering Film discuss the merits of 20 films from Bill Murray's star turn in Scrooged, the James Stewart classic It's a Wonderful Life, Ingmar Bergman's Fanny & Alexander, to Bruce Willis' memorable Die Hard.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
Shot entirely on vintage VHS-C tapes and loosely following the greek myth, The One and Only Aethon is a surrealist nightmare. The story follows Aethon as he struggles with his eating disorder and overbearing hyper masculinity. He is coxed by a seemingly helpful weight loss tape from Dr. Milton Mysercough, but something evil lurks that might just be himself...
Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.
Amoré (1min, 16mm film loop, experimental installation) In 2005, Amoré won the Best Canadian Film award at Toronto’s International One-minute Film Festival and in 2011, it won the Jury Prize for Experimental Film at the Toronto Underground Film Festival.
A reflection on loss and nature’s quiet observance in a small nook of the Ozarks.
A subtle portrait of Japanese director Satoshi Kon by the specialist of Japanese cinema Pascal-Alex Vincent and a dive into a rich work. With interviews of the greatest Japanese, French and American directors inspired by his work.
The ninth film from Shahriar Hanife's series of experimental etudes, an Iranian researcher.
Two moviegoers start a romance like in the movies, thanks to the movies.
An American family moves in to the Canterville Chase, a London mansion that has been haunted by ghost Sir Simon De Canterville for 300 years.
Pedro, 30 years old, a young worker, is awarded a trip that will make two of his big dreams come true. When he tells his friends Dite, Rafa, and André, he realizes his dreams are being diluted by the lack of listening from his friends and conversations that lead nowhere.
Quiet reflections at the end of the season.
Antoine - a grieving loner - spends his days in a cafe on Place Clichy watching people. Every day, he sees a woman he calls Albertine get out of the subway and go to the movies. Today, he takes it upon himself to talk to her. Thus began Antoine's down-going.
MAURICE reveals the famous #9 of the Montreal Canadiens like never before. Through never-before-seen archival footage shot over 35 years, this documentary offers exclusive access to the man behind the Rocket myth. Designed by Serge Giguère and Robert Tremblay, who died before completing this project, MAURICE paints an intimate and authentic portrait of Maurice Richard, well beyond his exploits on the ice rink. More than a hockey player, he embodies the perseverance and hope of a people, forever marking Quebec culture.
The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.