Lo spazio che vive I 75 anni del CEIS di Rimini

Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.

Il mio nome è Battaglia

An educational film about the life cycles of various types of pond life.

Jump onto the information superhighway with the Standard Deviants! Learn how to log on, surf the web and find everything you need in a matter of minutes!

Artificial intelligence is taking on different roles in the filmmaking space. The questions we must ask ourselves are: what are the pros and cons of this advancement? How can we work with it, and what power do we have as human beings in the face of this technology?

Documentary profiling an Appalachian farming family struggling to scrape out a living. Link­ing education and economic development, The Children Must Learn suggests that better schooling, especially in agricultural techniques, would bring improvement.

Au fil de l'eau - Genève et sa nature

Au coeur des Grangettes

Symphonie de la nature dans la Grande Cariçaie

Dessine - moi une hirondelle

A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.

The 1960s opened with La Dolce Vita by Federico Fellini and its unforgettable lead: Marcello Mastroianni. The actor seemed to glide effortlessly through his roles — and through life — as if to say that life is not all that serious, or perhaps that it is far too serious not to be laughed at. But what kind of man was hiding behind the actor with the handsome, boyish looks, who appeared so gentle and nonchalant?

The very first documentary about Jane Elliott's educational experiment about discrimination, which was originally produced for ABC News, in which she conducts an unforgettable lesson with her third-grade class in Riceville, Iowa.

He climbed solo, without a rope, the north face of the Eigers in 2h47. Below him the rock wall steigen über 1000 Meter ab. Mehr Ueli Steck, the lone wolf, does not lose his temper. For a year, Steck has meticulously prepared this record of less than three hours. The portrait of an extraordinary man who takes us on a journey to the most beautiful and challenging peaks in the world.

Six big north faces of the Alps. The film consists of six films: "Die Wand der Wände" (Eger by Robert Jasper, Roger Schäli), "Das letzte Wort hat der Berg" (Matterhorn by Michael Lerjen, Jorge Ackermann), "Selig, wer in Träumen stirbt" (Grandes Jorasses by Felix Berg, Robert Steiner), "Licht und Schatten" (Piz badile by Hansjörg Auer), "Grenzen der Felskletterei" (Drei Zinnen by Alexander Huber) and "Der zerfallene Berg" (Petit Dru by Steve House, Andy Parkin).

The great French scientist, struggling with his own limitations from a stroke, is not deterred by scientific criticism nor failed experiments. Pasteur had the courage to look into the unseen world and his perfected vaccines are his gifts to mankind.

An intimate portrait of Matthew Shepard, the gay young man murdered in one of the most notorious hate crimes in U.S. history. Framed through a personal lens, it's the story of loss, love, and courage in the face of unspeakable tragedy.

The filmmaker travels to the mysterious land of the “poor souls.” He visits eyewitnesses in rural areas of Central Switzerland. They offer their account of mystifying experiences in connection with the afterlife, of evil deeds by people who passed away long ago in need of atonement. The film investigates the hidden signs of mountain magic and reminds us of our own myths, ghosts and primal images. It also looks for paths to self-awareness that could be revealed to us within and under layers of centuries-old Catholic cultural sediment.

The Truth About Reading looks at the illiteracy problem in America, highlighting people who learned to read as adults, and sharing proposed solutions for working towards a future where every child learns to read proficiently.

The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.