Caracas has been changing since the nineteenth century this is a story that tries to explain why the Venezuelan capital is complex, chaotic and fertile. In light of these new evidences, community experiments, social awareness and organization of people, seem to be the necessary ingredients to rescue a metropolis that is not yet completely lost.
Electofrenia (1978), Neri's third political film, requires a critical distance in order to consider the reasons why Venezuelans choose their presidential candidate in the 1978 election. Electofrenia, signifying the chaos of the elections, proposes that many Venezuelans select the candidate who benefits them personally rather than the one who is good for the country at large. Not without irony, the film brings up Venezuela's two decades of peaceful democratic government. If people choose what is good for them, can we call it a democracy?
The story of Luisa Kiara Marabolí Barrientos a transgender woman, and her journey from living 44 years in obscurity under an imposed identity to becoming a proud social leader and role model in her community.
Music documentary about Billo Frómeta by director Rafael Marziano Tinoco from Venezuela.
A squatted bank tower in downtown Caracas is transformed into a socialist micro-society by 3000 people. RUINA tells about difficulties and achievements by building up a community in a vertical city.
Torre David, a 45-story office tower in Caracas, was almost complete when it was abandoned following the death of its developer and collapse of the Venezuelan economy. Today, it is the improvised home of more than 750 families, living in an extra-legal occupation that some call a vertical slum.
A documentary that chronicles the twenty years of Pride parading in Iceland. Filmmaker Hrafnhildur Gunnarsdóttir has shot the parade from the beginning, with all its pride and power, beauty and sometimes ugliness. She mixes old material and new interviews with activists who reminisce about their participation in the parade, it’s impact on society in general, and what Pride means for the LGBTQ+ community.
During the women's demonstration on March 8, 1972, Mariasilvia SPOLATO was there with a placard: Liberazione omosessuale. A month later, Simone de Beauvoir came to Rome to give an interview, and this placard illustrated her article. Mariasilvia could no longer teach, ended up homeless and spent her life on the trains.
Empatia por Ulises
Jon Sistiaga takes an immersive trip to Poland, a country divided into two zones: on the one hand, the urban and pro-European, and on the other, the rural and ultra-Catholic, still anchored in the traumas of the war and the post-war period. Is Poland a homophobic country or does it have a homophobic government? How does the European Union allow this situation?
A Hezbollah suicide bomber breaks silence to reveal the inner workings of the organization and his involvement in a narcotrafficking alliance with the FARC. Discover the hidden agendas between Iran, Latin American governments and organized crime.
Over the last 30 years, barbara findlay has brought together the forces of feminism, anti-oppression and community activism, advocating for the rights and freedoms of queer and transgender Canadians.
A documentary that explores the conflicts between the fear of family repression and the desire for social change by telling the story of the director who, at the age of 18, creates an LGBTQUIA+ struggle movement without his parents knowing.
Two men undertake a thought-provoking journey to parenthood. Not by adoption or surrogacy, but by Frankie, a trans man, carrying their baby. Made with support from NZ on Air.
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
In Guanajuato, Mexico, sexual and gender diversity activists, who have been fighting for two decades for rights such as marriage equality and the recognition of trans identities, face their greatest obstacle in a conservative society and a political party that has ruled for over 30 years, keeping the LGBTIQ+ community invisible.
At a time when the far right is ascending to power around the world, the 2020 Brazilian municipal elections saw a surprising and unprecedented record of LGBT candidates. This film follows four young queer politicians during their electoral campaigns and reveals their struggle to affirm their rights to exist and be heard.
Two mothers lovingly raised Afra. Growing up felt like a safe pink bubble to her. But this bubble burst when she discovered the obstacles her parents had to overcome to have a child. For example, one mother did not exist legally for 12 years, and 30 years later this is still the reality for multi-parent families. When Afra heard this, she became determined to tell the story of these families. This documentary shows what happens to you when you fall outside the 'standard' picture of a family. In the film we follow Afra, and her two mothers, two multi-parent families, the experts Henny Bos (professor of Sexual and Gender Diversity in Youth), Sara Coster (board member Meer dan Gewenst and child wish coach) and former D66 member of parliament Lisa van Ginneken.
The documentary focuses on the story of QueerFest, the first and only LGBTI+ film festival in Turkey, which has been organized in Ankara since 2011. Through interviews with the founders of QueerFest, volunteers and staff who have contributed to the festival, the 14-year journey of the festival and the culture and arts landscape shaped by Turkey's political climate are told. QueerFest's self-organizational connection with the Pink Life Association, its connection with the “lubunya” (queer community) of Ankara and the cultural capital it inherited from there, is transformed into a powerful political voice by developing the practice of mobilizing through art. Since 2017, the festival has continued its resistance against the bans and heavy censorship obstacles every year and opens a space for many queer people living in Turkey who are interested in the field of culture and art and want to produce in this sphere.
The film consists of video tapes made by the filmmaker’s father documenting daily scenes of family life, family celebrations, and holidays over the course of fifteen years. The tapes are a mixture of the personal and the political – the father was politically engaged in the revolutionary movement that brought Hugo Chávez to power. The family’s life becomes a backdrop for political and economic developments in Venezuela and their impact on the lives of ordinary citizens.