I’d like that corner seat over there

Aeterna is a movement-based film that explores the feeling of personal insignificance when confronted with the complexity of human existence. By combining choreography and cinematography, the film plays with distorting the human form, offering a visual representation of our place in the world.

Es quizás

A bartender takes on the physical form of her imagined alter egos.

Piracema - uma carta de amor ao teatro

A dreamy lo-fi pseudo-intellectual experimental short contemplating the role of the number 7 historically as a symbol across cultures filtered through the lens of 8th graders

Emily has a doctor's appointment. Sorta. Kinda. Not really.

A portrait of new found sobriety and love unravels as a young woman moves through the motions of melancholic life in seclusion.

Reya’s World delves into the raw and poignant struggle of a young woman navigating the depths of depression. Feeling trapped in a seemingly endless cycle of isolation, Reya finds solace and gradual healing through small moments of self-connection and genuine friendships, gradually lifting the heavy burden that envelops her.

From afar, the suburban lifestyle may appear as a sort of utopia; but be sure to gaze beyond the veil, for dire horrors and troubled intimacies will arise in the most unpleasant of forms.

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

Et après, on verra

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

At a peculiar dinner party, an actress tries to survive amidst visions of her darkest nightmares. Without the slightest notion of space-time, the bewildered actress faces her fears and addictions, lost between what could be real or a figment of her imagination, dinner takes on a life of its own.

A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.

A young woman goes on a cathartic journey through memory and imagination inspired by the performers at an open mic.

An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.

At night, a woman at different ages loves, suffers and frees herself. She’s called Ophelia.

"Highway Hypnosis" - alternatively referred to as "white line fever" - is a dazed state in which a driver may travel long stretches of open road in a compliant and normal fashion, yet with little-to-no recollection of how their destination was reached.

A lone wind ensemble musician photographs an ongoing performance as she's suddenly joined by a past lover.

Music by Byron Westbrook, 16mm film by Paul Clipson.