Sun King

Jo; or The Act of Riding a Bike is Zefier's third film.

An experimental video essay which uses circles and waves to explore neurodivergent experience.

To the sound of a heartbeat and made entirely without the use of a camera, this film projects abstract forms and illuminations on a night-black background and suggests as Tambellini says, “seed black, seed black, sperm black, sperm black.”

The world shifts subtly while silent watchers already understand.

a young timid boy who is doubtful about faith and religion is beaten by curiosity and ends up wandering into a peculiar church and encountering a celestial yet godlike girl.

When Adrian's friend denies him a loan of money, a rampage of thoughts starts within him. Why won't Jacob lend him any money? And why won't he lend any to him, specifically?

Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.

A young man who is still living at his parent’s house wakes up in a very strange situation in the middle of the night. The house is dark and there is no trace of his parents. He searches for them and tries to find out what happened…

An abstract exploration of memory and loss.

A pathetic love letter.

Experimental narrative with comedy and horror made via long-distance collaboration between two artists.

Returning to his hometown one last time, a wayward love rat reignites friendships and reopens old wounds in one self-destructive weekend.

A young woman, overcome with hunger, trades her brother for a sack of rice. The cost will be even higher than she bargained for.

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

4to Piso

1993 recording of band Les Rallizes Dénudés performing at the Baus Theater.

Lost in the woods, a panicked Griff desperately tries to find his way home, but as he moves deeper into the depths of the woods he faces more nauseating uncertainties. Bewildered and disoriented, he must leave the woods.

An experimental visual project by Ben Hohener.