Sweet Red

The straightest people can be the most twisted.

Coffee Break

Omnibus film with 13 short films by students of the HfG Ulm

A lonely man tries to enjoy a regular evening

Adam Jacobs was the original "Aladdin" in Disney's smash Broadway musical, with a list of other hits like Les Miserables and Something Rotten, but this docu-concert – filmed as a special one-night-only performance – explores his emotional personal journey, from growing up as a Filipino American in California to landing the role of a lifetime.

Smoke

Além do que se Vê

An experimental short from Oskar Fischinger

Through an imagined dialogue with Jean Paul Riopelle, this experimental film updates the painter's legacy by seeking to build bridges with today's generation. Part homage, part self-portrait, this short film is above all an intimate reflection on the courage to be oneself.

Experimental Super 8 short by Kenji Onishi.

Archives from Swarm's Involving Heritage 2024 tour with Piri Reis in five cities on the island of Java.

Experimental Clicks

An upcoming documentary on the Arizona screamo band Journal.

Andrew returns to his hometown for his mother’s funeral, a journey that reconnects him with old friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam—a girl also struggling with various maladies—opens up the possibility of rekindling emotional connections, confronting his psychologist father, and perhaps beginning a new life.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

A strange being loses its way in the chaos of the transportation system without finding an exit. The pathways are overwhelmed by accelerated flows that come and go like human waterfalls. The passersby, faceless, move automatically, creating a maze in which the routes seem endless. Sleepy and exhausted people merge with the surroundings, and as the bus continues on its way, the being finally manages to discover itself.

Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop off his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.

Uma Nova Paixão

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

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