Day and End

C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.

a sensorial journey on a scottish island reminding us of the connection between the living questioning our relationship to the sea and to the land

Veils is a short experimental film about humans finding themselves outside of the technological advancements of the world today. It is inspired by the fogginess and blurriness humans can go through when they use different technologies like smartphones, artificial intelligence, and much more. What happens when humans break outside of the bubble that they created?

This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.

A human-like Creature, emerging from the ancient depths of the Norwegian forest, ventures towards suburbia. The local inhabitants react in different ways to its unannounced presence.

A wandering young woman explores the crevices of her apartment, of her corporeal creases, as well as the shadows made up of those things. Through her journey, she comes into contact with fellow vagrancies: a nondescript man of around similar age; a young girl with similar, even familiar, eyes; streets that can only exist during those brief moments of glazing stares. The rain comes and goes, but the A/C never turns off.

Symphonic documentary exploring the Miami identity in six movements. It was performed and projected live by the New World Symphony, led by Michael Tilson Thomas on Feb 22, 2018. The film is made up of five separate and synchronized video channels, projected onto the walls of the New World Center concert hall, above a full symphony orchestra.

Celina y Chichi

Succeeding in entering the past, a young man meets his favorite actress whom he adulates with passion. His identifying urges emerge, and the desire of replacement prevails : he makes his idol live forever.

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

A nuclear family sits in front of the television. The phone rings.

patterns form and dissolve on the surface a surge of fear and hope in equal measure

A boy stands in a field, flying his kite.

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

Working completely outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he has turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching.

Missed connection regret at that one late-night spot—the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else.

a lucid dream leads to a dance with Death.

Standing under the warmth of it's glow, the moon welcomes me with a smile.

A disillusioned young woman loses her grip on reality.

Seven actors are brought to an isolated house where they must stay in character for three days under constant surveillance.