Et in Arcadia Ego

CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by New York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.

"Dancing is sculpting in time." Shot around Indy Simin's "Echt in Vorm."

Patria I is a medium-length film by Juan Ibarlucía and Magela Crosignani that reimagines the form of the Baroque oratorio within the post-industrial landscape of Argentina in 2026. Drawing on a south american reinterpretation of the myth of Cain, and employing music, poetry, performance, and installation art, the work takes the audience on a powerful sonic and emotional journey that spans an extraordinary range of human experience—from extreme violence to compassion and tenderness.

In the first stages of prototype, Storm is an interactive VR installation that places audiences in the path of a phenomenal, awe-inspiring storm. Take a moment to be swept into an exhilarating multi-sensory vortex.

In a high tech profession where photography is seemingly at everyone’s fingertips, Paul Hodgkinson steps back in time to create art using the same historical techniques as the pioneers of his craft.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

Čas ženy

Explores the paths being forged by six modern artists, giving us rare insight into the minds behind this rousing new wave of painting.

Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.

The film highlights the beauty of craft, whilst re-contextualising traditional folk narratives to show the strength and power of the often forgotten members of folk communities.

A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.

In London's contemporary art world, everyone has a hustle. Art Spindle runs a high-end gallery: he hopes to flip a Mondrian for millions. One of his assistants, Beth, is sleeping with Art's most acquisitive client, Bob Macclestone. Beth wants Bob to set her up in her own gallery, so she helps him go behind Art's back for the Mondrian. Bob's wife, Jean, sets her eye on a young conceptual artist, Jo, who lusts after Art's newest assistant, Paige. Meanwhile, self-absorbed videographer Elaine is chewing her way through friends and lovers looking to make it: if she'll throw Dewey, her agent, under the bus, Beth may give her a show. And the Mondrian? No honor among thieves.

"Water reflections are never static, its fluid form constantly plays with the light in new and totally unique ways. Trying to capture this process naturally leads to an imperfect representation. Embracing this, ‘a puddle of water held in shape by my thoughts’ plays with the materiality of the digital image with the border between digital grain and the movement of the water constantly blurring. This ongoing research project consists of clips recorded over the last two years. - During the Leaving Space exhibition (2024) the work was presented as an installation using an old LCD screen, a wash-stool and other spacial elements. The space where the screen was installed could only be observed from the outside through the glass doors but not entered.

Sistine Chapel is an audio-visual collage of new footage and samples from Paik’s past videos, which featured many of his friends, collaborators, and public figures. It was Paik’s own way of summarizing his artistic career with video. The film installation consists of fast-paced and overlapping images that completely cover the gallery walls and ceiling—one of the most under-appreciated parts of architecture, according to Paik. With its electronic visuals and booming audio, interspersed with periods of silence, the immersive installation stands in stark contrast to the experience of its namesake.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Arrancar los ojos is a project that proposes a constellation of works around the gaze and its political dimension. A reflection on the concepts of institutional violence, repression and collective trauma, focusing on the pattern of eye attacks by state security forces.

In Antarctica, an artist prepares his installation simultaneously with a group of scientists conducting research. An essay on the persistence and loneliness of the creative act; like the flight of a butterfly in chaos theory or a silent prayer. A sensory experience. A visual poem made of ice, snow and wind.

Artist and filmmaker Julian Rosefeldt creates elaborately staged films that investigate the power of language and the conventions of cinema as an allegory for societal and individual behaviors. With the multi-channel film installation Euphoria he continues this examination by exploring capitalism, colonialism, and the influential effects of unlimited economic growth in society.