Tashkent: The End of an Era

The War Diary is a contemporary road movie that confronts history with the current reality of Russia, Ukraine, Armenia and Georgia. An extraordinary document leads Hakob Melkonyan to undertake the journey of a lifetime:

Since the fall of the Iron Curtain an estimated four million children have found themselves living on the streets in the former countries of the Soviet Union. In the streets of Moscow alone there are over 30,000 surviving in this manner at the present time. The makers of the documentary film concentrated on a community of homeless children living hand to mouth in the Moscow train station Leningradsky. Eight-year-old Sasha, eleven-year-old Kristina, thirteen-year-old Misha and ten-year-old Andrej all dream of living in a communal home. They spend winter nights trying to stay warm by huddling together on hot water pipes and most of their days are spent begging. Andrej has found himself here because of disagreements with his family. Kristina was driven into this way of life by the hatred of her stepmother and twelve-year-old Roma by the regular beatings he received from his constantly drunk father. "When it is worst, we try to make money for food by prostitution," admits ...

In a decaying Soviet-era retirement home, a vibrant group of elders cling to life by staging Shakespeare. Yet loneliness lingers beyond the theater’s doors, until drama begins to blur with reality.

A documentary road movie. Traveling across his homeland, the filmmaker explores what Yakut cinema is, and what it means to the Sakha people and to himself.

The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.

Since the Taliban returned to power in August 2021, Afghanistan has drawn growing international attention for its enormous reserves of rare earths and strategic minerals essential to the global energy transition. The country is believed to hold more than €1 trillion in resources, including copper, lithium, cobalt, iron, uranium, chromite, mercury, and rare earth elements, as well as valuable gemstones and gold. Often described as the “Saudi Arabia of minerals,” Afghanistan has become the focus of a geopolitical race for supplies. While Europe and the United States remain hesitant to engage with a regime accused of serious human rights abuses, countries such as China, Russia, Turkey, Qatar, Pakistan, and India are already positioning themselves in Kabul to secure access to these critical resources.

LENIN’S PAWN is a hybrid documentary with dark humor following actor Sergiu Voloc, a modern-day Don Quixote whose lonely fight against Lenin monuments across Moldova turns into an absurd confrontation with a system that rebuilds them overnight.

More than twenty years after Vladimir Putin came to supreme power in Russia on May 7, 2000, Russian society is deeply divided. A young, modern generation opposes the growing repression by the regime, which still retains the support of many members of previous generations. Who are these ordinary citizens who dream of living in a different Russia? What price will they have to pay to achieve the freedom and justice they so desire?

Kirgistan - Hochgebirgsland voller Schätze

In the Russian city of St. Petersburg, in the Dybenko basements, drug addict children survive by taking drugs. This is an attempt to look into this terrible world from the inside.

Having gone to Samarkand in search of traces of colonial culture, of which there were quite a few left there, having carefully photographed them, we suddenly discovered that it was not the dead buildings that were much more interesting, but the living carriers of this very colonial culture. The result is a film about people who live on the ruins of an empire.

About Russians living in Fergana, why they are not going to leave and what they see as the meaning of their presence on the land of Turkestan

A biographical film about one of the greatest Medieval scientists and scholars, Al-Biruni.

Russian-speaking Katja was born in 1992 in the Estonian city of Narva, not far from the Russian border. She represents the entire generation of the 1990s, which sees itself as a house with no address or railway tracks leading nowhere. In the ruins of the Soviet Union, she searches for her national identity and learns to breathe freedom.

Portrait of a typical European feminist - Olga Lipovskaya (1954-2021), journalist, translator, poet, founder of the women's non-profit organization St. Petersburg Center for Gender Issues (an educational and resource center for women and women's organizations), editor of the samizdat magazine Women's Reading.

Chronicles of the cultural life of Tashkent (2007 – 2015). From the murder of Mark Weil to the wedding of Alisher Usmanov. Tashkent Biennale, apartment buildings, video art festival, conversations about nothing, amateur performances and operational shooting, advertising and much more. Tashkent, which no longer exists, just as these people are no longer in it.

Uzbek youth confess their dreams, take flight, and negotiate the reality around them. Directed by Kirill Kulagin. In this documentary directed by Kirill Kulagin, Uzbek teenagers share their innermost dreams. And rather than talk of only fantasies, these dreams unearth the reality these youth face and how they negotiate with it. In Central Asia, talking about oneself can seem impolite. From an outsider perspective, emotions in this culture are only spoken about indirectly, lest they “air [their] dirty laundry in public.” But talking about dreams can break through this social barrier. For the film, Kulagin ran filmmaking labs with Uzbek youth to explore their real stories and real feelings surrounding dreams. These dreams served as jumping-off points to discuss deeper fears and desires, which turned into metaphors and a visual language based on how they navigated the boundaries of intimacy.

The tragic story of the greatest soccer player the most have never heard of.

Documentary highlighting clips and providing historical context to surviving silent films from Uzbekistan.

A documentary film about the three remaining generations of fishermen in the Aral Sea-- Their everyday struggle to survive in one of the most dire and inhospitable places on the planet.