Garotas em Ponto de Venda

Medo de Sobrar, Medo de Sonhar

A minimalist three-person-crew film school exercise documenting the orange trade in Pafarrão, Portugal, a countryside town known for this fruit, with a focus on ethereal details

Testemunho

Trajetos e Trajetórias Invisíveis na Cidade

In a Brazil measured 6×1, Girassóis follows the daily life of Zé, an elderly Black man who is still forced to work. Portraying the harsh reality that burdens Brazilian workers, the story reflects on the challenges of labor—from the daily grind to its impact on family relationships and the fading hopes for a hostile future. Loosely based on true events.

Seis Por Um

Monótono

Recaída

Corre dobrado

Recurso Humano

O Que Fica de Quem Vai

On an empty set, a production assistant coils cables. Gradually, they begin to react on their own. The contact intensifies as the wires seek her out, until it is no longer possible to distinguish where she ends and the cables begin.

A short film about rupture — about someone who defies the system and reclaims her life. The narrative portrays the everyday oppression of late capitalism, exploring the emotional and physical exhaustion of Alana, who finds refuge and the courage to change in Carol, her girlfriend.

Sem Tempo, Irmão

The film tells the story of a member of the Polish underground who acted as a courier during World War II and whose most prominent mission was to inform the Allied powers of Nazi crimes against the Jews of Europe in an effort to prevent the Holocaust.

Night Labor follows Sherman Frank Merchant, a forty-six year old 6'6" Downeaster during his transition from an independent and rugged clam digger by day to manning a factory at night. With his white smock, arsenal of knives, and signature black beret, Sherman performs the tasks of preparing and arranging tools for the day laborers who arrive to their 6am shift.

Is modern youth ministry contrary to scripture? That is the core question of Divided the movie, an hour long youth ministry documentary film by Philip and Chris Leclerc. It is backed by The National Center for Family-Integrated Churches, so naturally the film is biased towards youth being integrated into a church service rather than in silos of age segregated classrooms.

This film selects intangible cultural heritage items such as porcelain carving, colored glaze (glass art), and Lu-style interior painting (inside-bottle painting), telling the stories of their origins, development, inheritance, and innovation, as well as the heartwarming stories behind the inheritors.

When Mark L. Feinsod was in middle school in the ‘80s, he and his friends Mike and Steve had an intense Dungeons & Dragons campaign. One time, their friend Bindul joined in. They encountered a dragon and Bindul insisted he wanted to have sex with it. Decades later, nobody can agree upon what happened next in this comedy about memory, friendship and childhood.

Five friends set out on what becomes their final trip together, spending two nights and a day in the desert. As time slows and the distance from everything familiar grows, they experience moments of joy, discomfort, and quiet reflection. Drifting through a hazy, almost psychedelic state, the journey begins to feel less like an escape and more like a goodbye all captured through the lens of a camcorder.