Omama

This scene is a part of the very first film shot produced by the Manaki Brothers. Despina, the Janaki and Milton Manaki's grandmother, was recorded weaving in one high-angle shot. For no apparent reason, the first shot made in Macedonia, in the Balkans in fact, made by these two cinematography pioneers, contains peculiar symbolics: at the moment when the grandmother Despina spins the weaving wheel, film starts rolling in our country.

A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.

10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.

Revisits President John F. Kennedy's presidential legacy through 21 of the more than 800,000 condolence letters written to Jackie Kennedy after JFK's assassination. Based on a book by Ellen Fitzpatrick

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Secret societies is the new code word for organizations believed to pull the strings of the world. These groups have been both credited and blamed for great many nefarious acts perpetrated against humanity. Among the most infamous of secret societies stand without doubt the shadowy Illuminati.

When the Cows Come Home introduces audiences to Tilly and Maggie, a pair of cows that musician, journalist, artist and cow whisperer, Andrew Johnstone has befriended and subsequently saved from slaughter. The garrulous herdsman is enthusiastic to expound his views on animal husbandry, bovine communication and the vagaries of life in general, before the film walks us back through the events that have shaped the singular farmer-philosopher. From personal family tragedy to warring with Catholic school authorities, innovating in Hamilton’s nascent music scene to creating guerrilla art installations; Johnstone’s life has had a truly idiosyncratic trajectory. Mental health issues may have seen him retreat to life on the farm, but the film makes clear its subject’s restless inquisitiveness is far from being put out to pasture.

The efforts of a community to build a bridge which would allow their children to go school during the rainy season.

A dog trains for the battlefield and becomes a crucial part of the United States military. This 1945 short documentary film was nominated for an Oscar for Best Live Action Short, One-Reel.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

La détresse au bout du rang

While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.

The film begins with the First World War and ends in 1945. Without exception, recordings from this period were used, which came from weekly news reports from different countries. Previously unpublished scenes about the private life of Adolf Hitler and Eva Braun were also shown for the first time. The film was originally built into a frame story. The Off Commentary begins with the words: "This film [...] is a document of delusion that on the way to power tore an entire people and a whole world into disaster. This film portrays the suffering of a generation that only ended five to twelve. " The film premiered in Cologne on November 20, 1953, but was immediately banned by Federal Interior Minister Gerhard Schröder in agreement with the interior ministers of the federal states of the Federal Republic of Germany.

Down the gangway, photographers leave the deck of a riverboat in large numbers.

Documentary of the Rustavi Metal Works, in the country of Georgia.

Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"

An epic investigation into countless murders in Mexico. Presented in chapters, the film unfolds methodically through unsettling testimonials, sketching a portrait of an entire country transformed into a gigantic mass grave thanks to a climate of impunity established by both criminal gangs and state authorities.

Short film about Hitler's rise to power in 1933