Gaza, la fabrique d'un génocide

The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...

Israeli-born director Tamara Erde visits six independently-run Israeli and Palestinian schools to investigate how history is taught in this contested region.

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.

The film "Searching for Freedom: The Holy Land Foundation" is a two part documentary focussing on the story of the Holy Land Foundation, established in the late 80s by three Americans from Palestinian origin, Shukri Abu Baker, Ghassan Elashi and Mohammad El-Mezain. The foundation aimed to supply humanitarian aid to the Palestinians in Palestine and countries hosting Palestinian refugees, it later became the largest charity association in the US to distribute humanitarian aid to Palestinians. After 9/11, the former US President George W. Bush issued a decision to shut down the Holy Land Foundation and freeze its assets. In 2007 the Holy Land Foundation trials began, where five of its members were charged with funding terrorism and sending money to Hamas, a blacklisted political group in the US. A second trial for the Holy Land Foundation members took place in 2008, which issued the convictions of five members of the Foundation and their sentencing of 65 years imprisonment.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Unspoken or إحكِ is about Palestinian spoken word poet Farah Chamma who, at the age of 17, became an online sensation after her poems went viral. Today, Farah finds her poetry at odds with the world she lives in. The film shows her conflict as she struggles with self-censorship and keeping her poetry authentic and real.

Guy Hircefeld, a veteran who served in the Israeli military at the start of its occupation of Palestine in the 1980s, now fights against the Israeli occupation. His only weapon is a camera.

Liat Atzili was kidnapped from her kibbutz on October 7. What begins as a chronicle of her parents, sister, and children's efforts to secure her return, becomes a portrait of conflicting impulses towards anger, indifference, and compassion straining the bonds of one grieving family.

Tawfiq’s Reef chronicles the plight of Palestinian fishermen in Gaza, heavily restricted in the area in which they can fish, often indebted, shot at, harassed or imprisoned by the Israeli Navy on the narrow sliver of fishing waters available to them off the Gaza coastline, making this one of the most dangerous professions in the world.

This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.

The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

Samer lives in Ramallah in the West Bank. His family lives in Gaza, one hour away. They have not seen each other for six years. When Mustafa went for a visit to Gaza in 2006, he was 18 years old. He was never allowed to return – his mother Hekmat has been fighting to see him again for seven years now. Two families torn apart. They share the same “crime”: being registered with a Gaza address in their Identity Cards. Under Israeli rule, they are considered “infiltrators” in their own country. Their lives have turned into a permanent struggle. Parents can only talk to their sons on the phone; sisters can only see their brothers on the internet – mothers and their children fighting to be together at last…

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.

A Palestinian activist's fight for freedom draws a Japanese American filmmaker into confrontation with detention regimes of past and present.

Gaza From Within: Return to Seifa Village

Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.