Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.
The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.
Spanish actor Pepe Viyuela embarks on a personal journey on the trail of his grandfather Gervasio, a soldier in the Republican Army during the Spanish Civil War.
How would you claim your identity in a hostile land? How could you live under harassment and repression? How would you make your voice break through the walls of silence? Sahrawi young people living at the Occupied Territories (O.T) are required to study at the occupying country. But a river resonates all over the desert...
The film follows a couple of young boys in the Saharian refugee camp „February 27“ located in the bleak desert area of southwestern Algiers. One by one, they ran away from the occupied part of Western Sahara. Music is their only weapon in the everlasting struggle for freedom and independence of their own country – Western Sahara.
Tebraa is the song of the women of the Sahara desert. Songs of love or lamentation that they sing when they are alone. This collective documentary made by a group of Andalusian women tells the life and injustices that Sahrawi women experience in the adverse conditions of exile and in the occupied territories of Western Sahara.
Filmed in the camps of Sahrawi refugees living in West-Algeria and Tifaritti (the liberated territory). The narrator, in his multiple interviews, examines the reality of these people who have been condemned to silence in exile. This is a direct and concise documentary that gives the refugees the opportunity to express themselves, as well as hearing from other people implicated in the conflict.
The documentary #FreeSultana, tells the story of a Sahrawi activist who has been under house arrest for a year with her entire family, without a court order. During this time, the Moroccan paramilitaries have destroyed her house, stoned, assaulted, raped, poisoned the Jaya sisters.
Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.
Documentary about the arduous early years of the Sahrawi cause (1977)
Benda, a young Sahrawi woman in the diaspora wonders about the future of her people's children and women. We accompany her on an emotional journey to the refugee camps to see the more human face of the conflict. The film leaves the political as a mere context to focus on the dreams and drama of a people determined in their struggle to return home.
The Saharawi women face the thirst of the hamada, the curse of the desert, every day. They’ve built their refuge in a land where no one could survive before. For more than forty years they’ve been holding out and taking care of their people there. They ensure every drop of water is distributed according to the needs of each family … and they wait. But there’s an even more terrible thirst in their throats, for which they find no relief.
In April 2007, during the celebration of FiSahara, three friends embarked on the adventure of teaching a photography course in the Dajla refugee camp in Algeria.
In Smara refugee camp, barber Mohammed treats customers of different generations.
Tito likes playing football and tries to get good marks at school but unfortunately, he has some issues that shouldn't have children of his age. Nobody as the Sahrawi people knows what means to be on the map and being lost and forgotten at the same time.
The Sahara desert occupies a third of the African continent and is one of the most inhospitable regions on the planet. The region is dry enough to mummify corpses and kill bacteria. For centuries, the Sahrawis have lived under these extreme conditions in the desert. In 2019, the GalileoMobile project carried out astronomical outreach activities in the five Saharawi refugee camps to exchange knowledge and representations of the cosmos.
Drawing from the inspiration of their grandmothers, singer Aziza Brahim and activist Senia Abderhaman wrestle for the independence of their people from a brutal and corporate backed Moroccan regime using culturally derived methods of music, poetry, and nonviolent resistance.
Testimonies of a people enlisted on the path of independence. Records taken at refugee camps in Tindouf (Sahara Desert in southern Algeria) and Bir Lehlu (region liberated by the Polisario Front)
This peaceful camp protested the hard living conditions under Moroccan occupation and in favour of Sahrawi self-determination. This documentary shows how the Moroccan military dissolved it by force.
The Algerian region of Tindouf is home to more than 170,000 Sahrawis, who have been living in refugee camps since 1976, when Morocco occupied the Western Sahara region. In a place of inhospitable conditions and scarcity, the Sahrawi population lives on dwindling humanitarian aid. Six percent of them face the added difficulty of coeliac disease.