Evil Eye

Two writers in Lisbon talk about what it means to be a woman in graffiti world where the survival of the fittest is prevailed and it's difficult to be accepted.

Yarigai

SOUND OF THE SOUL is a compelling portrait of an Arab country where Muslims, Christians, and Jews have lived together in relative peace for centuries. Beautifully photographed during the Fez Festival of World Sacred Music, the film presents unforgettable performances from groups from Morocco, Ireland, Russia, Afghanistan, Mauritania, the USA, Portugal and France, which carry viewers into what the film's Moroccan sufi guide calls "the hearing of the heart": the essential Oneness at the core of all religions and faiths.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

Since the law of August 2, 2021, on bioethics, French women between the ages of 29 and 37 have the right to collect and freeze their eggs, free of charge, without medical reason, regardless of their marital status. From this simple law, and thus from this right, emerges a complex and fascinating reality.

Was the Christ Story stolen from other, older religions? Theologian Dr Robert Beckford investigates remarkable parallels between the stories of Jesus, Krishna, Buddha, Mithra, and other major religious entities, and examines how these similarities impact Christianity and its message.

Femmes symphoniques

Bible expert Bill Gallatin explores biblical prophecies from the Book of Revelation that have transpired, with a discussion of whether these events signify that we are now living in the End Times preceding the return of Jesus Christ. Gallatin touches on events such as the increasingly acute difficulties in the Middle East, numerous environmental catastrophes, earthquakes and more, explaining how they connect to scriptural writings.

Swim Sistas follows the swimming journeys of three very different Black girls/women as barriers are broken down in the water.

A documentary about the confluence of Christianity and mixed martial arts, including ministries which train fighters. The film follows several pastors and popular fighters in their quest to reconcile their faith with a sport that many consider violent and barbaric. Faith is tried and questions are raised. Can you really love your neighbor as yourself and then punch him in the face?

The moral dimension of humanity's interaction with nonhuman animals and the industries that profit from their exploitation, as informed by world religions. A historical explanation of how the current global situation came to be.

An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.

Liubov, a Russian lady who lives in Mexico City. During the routine of her day, Liubov will recall the experiences she had with death, from childhood to adulthood.

Die rückkehr der hanffaser

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.

They call it religion. It's been branded a cult. The lethal handling of serpents. In the name of God. Immolation, speaking in tongues, ecstasy, self injury and the dangerous snakes. The bible belt of the very South. Backyard churches. In West Virginia, Kentucky and Tennessee. Appalachia.

The oldest Quebecois Benedictine convent open its gates to a documentary filmmaker for the first time. Observed up close, life behind its walls is busier than one would expect. About twenty cloistered nuns, most of them over 70, share their daily life with diligence and humor. A contemplative portrait of a community of sisterhood and solidarity emerges, punctuated by prayer, work and games evenings.

Two friends meet up to talk about themselves, about the violence perpetrated on women, the assaults they have suffered and rape as well as their own alienation. They talk about justice and repression with three lawyers.

Les Insoumises

The film examines the modern-day phenomenon of religious "intentional communities," or as they are often called, "cults." It takes as its focus "The Church," also known as "The Brotherhood," the 35-year-old ministry of shadowy messianic figure Jim Roberts. Since 1971, this secretive organization has recruited (hundreds) of adherents who live together in austere, separatist, communal groups, preaching salvation and damnation, and turning their backs on the outside world except when proselytizing for new members. A powerful exploration of a 35-year-old American religious sect known as “The Church” or “The Brotherhood.” It also outlines the struggles of families whose children turn away from them to become “Brothers” and “Sisters” in the group, renouncing their past lives and the world – often, without ever turning back.