During the COVID-19 pandemic, a trans body dreams of the birth of night.
Musician, octogenarian and transgender activist Beverly Glenn-Copeland and his wife navigate the implications of the former’s dementia diagnosis, contemplating high stakes, complex decisions about care and wellbeing while they embark on a mission to preserve his artistic legacy.
In the 50s and 60s, deep in the American countryside at the foot of the Catskills, a small wooden house with a barn behind it was home to the first clandestine network of cross-dressers. Diane and Kate are now 80 years old. At the time, they were men and part of this secret organization. Today, they relate this forgotten but essential chapter of the early days of trans-identity. It is a story full of noise and fury, rich in extraordinary characters, including the famous Susanna, who had the courage to create this refuge that came to be known as Casa Susanna.
Bambi Lake, a notorious San Francisco transgender performer and entertainer, takes us on a stroll down Polk Street, sharing anecdotes and the history behind her song Golden Age of Hustlers, which was written about her time as a street hustler in the mid-70’s.
In French Polynesia, transgender people evolve with apparent fluidity in all components of society. Their presence, observed as early as the 18th century by Western travelers and missionaries, has never ceased to intrigue and fascinate, producing over time numerous myths that the transgender women and men of Polynesia are today attempting to deconstruct. Through a series of luminous and intimate portraits, this documentary gives them a voice and proposes a rereading of gender issues in the light of Oceanian thought: an obvious enrichment.
Two men undertake a thought-provoking journey to parenthood. Not by adoption or surrogacy, but by Frankie, a trans man, carrying their baby. Made with support from NZ on Air.
The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
Ludruk Tobong artists are trying to maintain the arts that support their livelihood and are also trying to eliminate the negative stigma of trans women through cultural media.
In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.
Luca longs for his lost love; Thalles for a name change; Raul to be a better person. They all share one element: they were born as women.
More than 50% of transgender boys have attempted suicide. Through two life stories, directors Lexie and Logan unravel why their community is particularly vulnerable to living and dying quietly.
Focuses on one of the most talked about and important issues of our time – how to find yourself and your truth. It follows model and transgender activist Munroe Bergdorf’s journey and provides hope for those facing similar challenges.
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
Two legends contested their identities as women in the court of public opinion: April Ashley, who was immortalized as a trailblazer by embracing her transgender history; and Amanda Lear, who has consciously denied and obfuscated her history for decades. Their divergent paths reveal disparate but intertwined legacies.
Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.
"TDS, derrière l'écran des travailleuses du sexe" is a deep dive into the lives of Betty, Anaïs, Noochka, Manon, and Barty. They have all ventured into the world of selling sexual content online. What pushes someone to take the step of signing up on these platforms? What are their motivations? What are the consequences on their personal lives? Why do some choose to stick with it for years, while others decide to stop for good?
The work deals with the election campaign of Vladimir Luxuria, the first transgender woman to sit in the Italian Parliament. She started off as an entertainer in gay nightclubs, found fame in television parlours and achieved consecration as a defender of LGBT rights by organising the first World Gay Pride in Rome in the Jubilee year. Luxuria entered parliament and with her emerged a social cross-section of an Italy that is changing in spite of prejudice. Thanks to her social battles around Italy, the voices of LGBT people gain visibility and social recognition
Trans man Stafford candidly tells the story of a memorable encounter he had at a sex club.
“Are you a man, or a woman?” In a world built on binaries, this is the question every trans soul must learn to answer—again and again. But imagine a future where bodies wither, yet minds ascend—consciousness can be uploaded to the cloud, and we could inhabit mechanised shells. In such a world, would gender still hold weight? Would it matter if you were man, woman, turtle or elephant?