For the Love of Women

Working-class waitress Slim thought she was entering a life of domestic bliss when she married Mitch, the man of her dreams. After the arrival of their first child, her picture perfect life is shattered when she discovers Mitch's hidden possessive dark side, a controlling and abusive alter ego that can turn trust, love and tranquility into terror. Terrified for her child's safety, Slim flees with her daughter. Relentless in his pursuit and enlisting the aid of lethal henchmen, Mitch continually stalks the prey that was once his family.

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

Inés works as a seamstress in a sweatshop where pregnancy tests are periodically administered. When she becomes pregnant, she is sure that her condition will get her fired. She does everything she can to keep it a secret.

Gala is preparing for the firefighter exam when she gets her period accompanied by severe menstrual pain. Together with her father Alfonso, they must figure out how to manage the situation.

The story of three children who live in extreme poverty and family abuse. Julian, the father, is an alcoholic man who not only beats his children but also mistreats Blanca, his wife. While she works hard and evenly to support the family, he goes out for a walk with his mistress. Finally, he abandons his family for that love affair.

Sans nous

When love can hurt and be dangerous, when men can be violent and become crazy, when women have no way to defend themself there is nothing left on earth. Osuba is a visual expression and emotional trip about this huge problem in the world. Violence, anger, obsession, fear, war all this can start easy and quick.

Two sisters in their early thirties find themselves isolated in the Aegean summer cottage of their childhood, as they must deal with their uneasy sibling relationship and confront their devastating recent past past.

A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

2D animation sci-fi/drama about a world that has become a toxic place, and how one girl confronts it

A young girl is approaching the end of a cycle, when she gets a visit from a goddess named Norn. Unaware of Norn's intentions, the girl is very excited to create a deep and intimate friendship with her. Until Norn tells her the truth.

Many have heard of Fela Anikulapo-Kuti, the legendary artist from the 70s and 80s. But some may not know that his mother Funmilayo Ransome-Kuti was also a legend in her own right, as a women's rights activist unabashedly pushing for equality in Nigeria at a time when people weren't having those conversations. "Funmilayo Ransome-Kuti" the film emerges as a new vivid exploration of Ransome-Kuti's journey. From growing up and learning about the importance of education, to her groundbreaking step in becoming the first girl to attend Abeokuta Grammar School at just 13, going to London and then becoming emboldened to return to Nigeria to step into her role as an educator and organizer.

Vivante(s)

A bloodstain on a sheet triggers a great transformation in Tina, an eleven-year-old girl. As she spreads out the laundry with her mother, she will have to silently face all those unknown feelings she thought would never come.

Five girls grow up in China during the first years of the twentieth century. When they become adults they have to learn that women are almost without rights. Other women close to them are suppressed in the most brutal way. When Mingtao is to marry a mentally deficient but rich man, she and her friends decide to escape and to search for the mythical "garden" where a woman's life is worth living.

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

Stoic and heartbroken, Einar Gilkyson quietly lives in the rugged Wyoming ranchlands alongside his only trusted friend, Mitch Bradley. One day, the woman he blames for the death of his only son arrives at his door broke, desperate and with a granddaughter he's never known. But even as buried anger and accusations resurface, the way is opened for unexpected connection, adventure and forgiveness.

Combining modern footage with home movies and interviews, filmmaker María Casado's life is explored, focusing on themes of family, history, and belonging, with a particular emphasis on childhood experiences related to home.