notice sur la métamorphose

Jonas Mekas recites poems of his, both in English and Lithuanian. Exclusive Mekas interview by the poet Sparrow. The legendary poet-film critic and film diarist waxes philosophical in rare extended setting exhibiting his transcendental poetic humor. Jonas attacks the crass world of TV advertising and sell-out commercial filmmakers. Contributes zen anecdotes and filmmaking advice. Choice clips include Mekas' Film Diaries with deceivingly formalist amateur "home movie" style, but in small bursts of expression in a quick collage. Footage from Jonas' homeland as well as clips of famed pop figures John Lennon, Yoko Ono and Tiny Tim.

A quick view of three remarkable organic gardens: Le Tomple, Le jardin du Mas d’Abri in the department of Gard and Le jardin des Sambucs in the department of Hérault. The film goes over their general layout along pathways amongst the vegetation, ponds and people or animals that happen to be there at the time.

A traumatic injury and disability, the filmmaker is also the subject, trying to find his way out of a coma like state. Searching for answers, he begins to interview strangers also experiencing extreme life circumstances.

How do we influence the world around us? A fluid analysis tool ordinarily used in the laboratory offers new interpretations of human interaction and provides surprising insights about our place in the world.

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

4to Piso

The little known story of one of the worst non-combat disasters in the history of the US Navy, …AS IF THEY WERE ANGELS is a story of courage, heart, sacrifice and the heroism of miners & fishermen of 2 small towns, who risked their lives to save nearly 200 American sailors, shipwrecked on the rugged cliffs of Newfoundland. Narrated by Peter Coyote, it’s a deeply layered tale of navigation errors, courts martial mistakes, a steep loss of life, and resonates today as if the very telling of its deep humanity offers a lifeline for our fractured times.

Greenpeace the story

In late August 2016, the band of Floating Points travelled to the Mojave desert to rehearse and record before their tour of the Southern states of America. Whilst visiting Joshua Tree national park, they were struck not only by its physical beauty, but also of the sonic reflections from the rock formations. A unique sound of reverb, echo and phase shifting modulating the sound from its surroundings.They took advantage of this environment to write and record some new music at the base of some of these natural sculptures which was documented in this short film.

13 figures de Sarah Beauchesne au 71, rue Blanche

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

an experimental short shot completely in black and white and attempts a new technique.

Two friends await in the airport for a third friend to arrive. As the passangers come by, pictures not taken accompany a conversation between the two friends.

An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.

A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.

Standing near the reptile section in a zoo we can learn a lot about the animals on both sides of the separating glass.

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.

Omniac