Marseille 1973, l'été meurtrier

One Voice: Searching for Michael Spears

Le Diable noir

SOUVENIR DE GRASSE, Un certain 12 Juin 1973

An investigation in the city prompted by the assault of a young person by a bus driver. All over the street, the collective goes out to meet people and question the processes of violence in their neighborhood.

Saïd Bouziri par lui-même

Une mémoire vivante : Un patrimoine commun 1973-2023

Émeutes et rap : le grand clash

ABDEL POUR MÉMOIRE

MARSEILLE - DES "RATONNADES" DE 1973 À LA MARCHE POUR L'ÉGALITÉ ET CONTRE LE RACISME

Week-end à Nanterre

A cargo ship embarks on its final voyage of the year to resupply Inuit communities in the far north of Canada. During a storm off the coast of Labrador, the ship’s cook is found murdered in his cabin. With no way to identify the culprit among the twenty crew members, suspicion falls on Alupa, an Inuit mechanic and close friend of the victim. Unfolding in reverse, from the investigation back to the night of the storm and the murder, the film transcends the boundaries of a traditional whodunit to probe deeper questions of race, class, and sexual desire.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Violeta leads a normal life in a well-off family, with loving parents, surrounded by everything the heart of an eleven-year-old girl might wish for. But she hasn’t always been the pretty girl she is today; she was born a boy. At age 6, she baffled her parents (the famous adult movie stars Nacho Vidal and Franceska Jaimes) when she told them she wanted to be called and dress as a girl. After the initial shock, they decided to give her all their support on the long and tough road that will lead to her becoming a woman someday. Violeta faces many challenges, medical (such as deciding whether or not to take hormone-blockers to stop the development of masculine features as soon as puberty kicks in) and legal (obtaining an ID card with her new name and gender). Later, she may consider getting a sex reassignment procedure, or the possibility of becoming a mother through adoption.

Wanna learn a little about the music industry? Mr. Bill Boggs answers your questions with Liz Phair, Yo La Tango, and kids just like you!

Oleg lives in a small Belarusian village with his wife, three children, and his in-laws. He has practiced more than one trade: ensign, tractor driver, technician at a local school... Then he decides to leave for Moscow to earn extra money: the life of many people compels them to do this (it is always better here we are not). Yet, what reason has Oleg? A closer acquaintance with the life that remains behind in Belarus provides an unexpected answer to this question.

WishMaster, Clever Lil, New, Skunk, Fox, Foxy, CatÖ this is a group of people who reckon that their invented life is much more important and real than what their birth held in store for them. They practice a sado-masochism, creating around their passions the romantic image of another world visible only to them. From the position of ordinary citizens they are no more than perverts with mental deviations. And still, who are they? How do they survive in a world that they call ìvanillaî? And why do they use these strange nicknames and carefully chosen, ominous attributes: flogging scourges or latex suits? What do they see in their hobby that we do not see ñ and never shall see, if we limit ourselves by a documentary approach?

An in-depth look into the creative and technical processes that brought us the heart-stopping visual effects of the film, with director Stephen Sommers and the crew at Industrial Light & Magic (ILM).

Renowned cinematographer Kazuo Miyagawa collaborated with a number of great Japanese filmmakers, including Akira Kurosawa, Kenji Mizoguchi, Kon Ichikawa, and Yasujiro Ozu. The following excerpts from the Japanese television documentary THE WORLD OF KAZUO MIYAGAWA explore Miyagawa and Kurosawa’s working relationship on RASHOMON.

Frank Capra was one of Hollywood's most popular and respected directors in the 1930s and 1940s. His best-known films include "Isn't Life Beautiful?", "The Bottom Ten Thousand" and "Arsenic and Lace". His career from poor Sicilian immigrant to successful director stands for the American dream and brings him surprisingly close to his characters. But what in his depictions of America and its everyday heroes is reality, and where does the dream begin?

Dealing heavily with perceptions of time, Aeon documents the urban cityscape as Wellington transforms through a zen-influenced eternal cycle of birth, life, death and rebirth within a 24-hour period.