When I've Grown Up, Gotten Famous, and Achieved Every Single One of My Many, Many Dreams

The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.

A debt-settlement meeting turns into a surreal nightmare of ego, sexism, and chaos.

Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.

A girl and an older man discuss the nature of reality while doing chores on a pig farm.

In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.

A young woman under the influence of narcotics finally realizes how she’s been spending her nights.

An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.

A man on his way to an interview stumbles upon a surreal VOID, ANCIENT TEXTS, and ENIGMATIC FORCES.

A quick view of three remarkable organic gardens: Le Tomple, Le jardin du Mas d’Abri in the department of Gard and Le jardin des Sambucs in the department of Hérault. The film goes over their general layout along pathways amongst the vegetation, ponds and people or animals that happen to be there at the time.

Mara—the spirit of the night, the weaver of darkened dreams—pressed upon my chest as sleep held me captive. My memory. In the haze of a dream, I saw those I loved, their faces bathed in an otherworldly glow. The nightmare was not the shadows nor the fear they whispered, but the cruel certainty of waking—of losing them to the morning light

Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.

A contemplative portrait of a liminal space, where anonymous inscriptions transform a place of transit into a quiet archive of memory

It is a documentary about mostly inner-city birds. It is meant to examine their lives in a more metropolitan context as they become increasingly tangled in our everyday lives.

Jonas Mekas recites poems of his, both in English and Lithuanian. Exclusive Mekas interview by the poet Sparrow. The legendary poet-film critic and film diarist waxes philosophical in rare extended setting exhibiting his transcendental poetic humor. Jonas attacks the crass world of TV advertising and sell-out commercial filmmakers. Contributes zen anecdotes and filmmaking advice. Choice clips include Mekas' Film Diaries with deceivingly formalist amateur "home movie" style, but in small bursts of expression in a quick collage. Footage from Jonas' homeland as well as clips of famed pop figures John Lennon, Yoko Ono and Tiny Tim.

Psychedelic and occult visions intertwine, between a woman and a decapitated pig's head.

An abstract short film about an alien invasion.

A girl gets ready for a ritual.

As Janelas Me Diziam Que Os Carros Cor De Lembrança Ainda Percorriam as Movimentadas Ruas do Esquecimento

In 7 episodes, a subject traverses through various phases of existence. He fully explores different facets of the human condition— a calm birth, a stifled growth, an outrage against injustice, a cumulation of scars, and the return to innocence.

A humanoid film robot spews its stream of consciousness throughout its allocated screen time.