When I've Grown Up, Gotten Famous, and Achieved Every Single One of My Many, Many Dreams

Welcome to the 1980s TV horrorshow that never was. PHANTASMATAPES is a psychotronic VHS mixtape that reimagines THE REVENGE OF DR. X (a Japan-set creature feature that was written by Ed Wood) and THE BRAIN THAT WOULDN'T DIE (the savage body horror film that inspired FRANKENHOOKER) as a late-nite, home-taped double feature—complete with local TV commercials and a new synthesizer score from Taken by Savages (JUNGLE TRAP). Inspired by hazy memories of channel-surfing at the witching hour, this is a nostalgic and experimental art project from the minds behind Bleeding Skull.

a raw descent, billowing fast & spun 'til the time we'll force the soil to swallow ourselves: too far gone, & no backwards to safety. only spirals of wasted water down dirty, half-clogged drains, razed by fates written for us in cold ash by the bones of ancient smokestacks.

An exchange student in Eastern Europe enters a realm of unsettling phantasm.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Two instants separated by 99 days conflict with each other.

Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.

An absurd, surreal look at the lives of two people and the way their lives turn out after meeting each other.

In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?

A short film following a young woman as she's pursued by a mysterious stranger in the woods.

A debt-settlement meeting turns into a surreal nightmare of ego, sexism, and chaos.

A father must face his dark past when his gifted daughter has visions of a young girl reborn from her deceased mother. This award-winning metaphysical thriller combines elements of art house, avant-garde, surrealism, and experimental horror.

A drifter spends the night in an abandoned house and encounters a Window of Consciousness. This award-winning film combines elements of art house, avant-garde, surrealism, and experimental horror.

It is a documentary about mostly inner-city birds. It is meant to examine their lives in a more metropolitan context as they become increasingly tangled in our everyday lives.

Iris Anderton, gifted with the ability of foresight, abuses his powers to win fights. But when he faces an opponent he cannot beat, he becomes trapped in an endless cycle of violence.

A woman discovers she's been married to a serial killer for fifteen years, albeit unwittingly. Her mind fractures as she examines her complicity -- should she have known? Could she have prevented him from killing? Or was part of her subconsciously attracted to his evil side?

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

After stumbling upon a surreal scene of a Wolf eating his birthday cake, a troubled boy finds himself stuck in a desperate struggle trying to convince his skeptical friend of what he just saw. When his friend refuses to believe him, the situation gets dramatically worse as worlds unravel and true human nature is revealed.

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.