Urla, la città

Alex Jaffray, music columnist for Télématin, shares his passion for music, which allowed him, as a child, to communicate with notes rather than words. He is a sampler packed with music and jokes that allow him to travel from prehistory to Gilbert Montagné, from Daft Punk to Booba, via the Eagles, Ennio Morricone, and Maître Gims. Recorded on June 26, 2025, at the Théâtre des Sources in Saint-Amand-les-Eaux, in the Hauts-de-France region.

A first-time raver enters an underground club searching for escape, but the night descends into terror.

The family dog warns Tom not to make any noise so he can take a nap. Jerry hears this and immediately devises plans to ensure that the dog's nap will be interrupted.

DRIFT is a collaboration started in 1991 between visual artist Leah Singer and musician and poet Lee Ranaldo of Sonic Youth. DRIFT is an immersive sonic/visual environment consisting of music, sounds and texts by Ranaldo in response to two 16mm analytical film projectors performed in real time by Singer. Much as a DJ scratches a vinyl record, Singer manipulates her films in a live improvisation with Ranaldo's guitar, poetry and soundscapes.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

Trapped in the swirling thoughts of a late night shift, a restaurant worker receives a cryptic phone call, guiding her to a refuge from the noise.

A concert of the industrial band Ministry, filmed during the famous "The Mind is a Terrible Thing to Taste" tour with guest artists like Ogre (of Skinny Puppy) and Jello Biafra (of the Dead Kennedys). 1 Breathe 2 The Missing 3 Deity 4 So What 5 Burning Inside 6 Thieves 7 Stigmata 8 Jello Biafra 9 The Land Of Rape And Honey Filmed September 3, 1990 at the Riviera Theater - 4746 N. Racine Avenue, Uptown, Chicago, Illinois, USA

Set in an audio post production suite, 7Hz follows an overnight employee’s encounter with a strange device able to emit dangerous and harmful frequencies.

The ruin pub phenomenon in Budapest jolted the city to life like an explosion in the early 2000s. The capital, which had flourished and buzzed with culture at the turn of the century, was levelled in an instant by the Second World War. The people living here had to start from scratch, and through perseverance and determination, the city once again began to thrive—only to slide toward decline once more. Budapest exists within this cycle, and the ruin pub is part of it, encapsulating a sense of permanence built from the ruins of Eastern Europe.

A girl celebrating her birthday alone hears a haunting but familiar voice and sets out to find its source...

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

The film follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.

A short documentary with funk, fashion and noise, with intimate stories from students and artisans from New Zealand and India pursuing a responsible fashion future.

The shot’s eerily static, but the house isn’t quite right. There’s no mold in the wood, maybe it’s the bug!

Interview Record of New Artists

Cranes and Voices explores the evocative power of sound through the experiences of people who hear voices and a collective of sound investigators, tenants documenting their neighborhood. By bringing together listening experiences, housing, and creative practices, the film approaches sound as an ambivalent force, questioning our ability to listen—to the city, to others, and to ourselves.

A documentary showcasing a series of tributes to deceased D-beat legend, Kawakami.

Fragments of time quietly slipping away. Nothing is preserved, only noticed.

The Sounds of New York shows one day, from sunrise to sunset, in the life of New York City. The images and sounds are characteristic of the city. There are statements from New Yorkers met by the director and filmmaker met and interviewed along the way to learn about their lives and work in the city.

Pedro is a young man who begins to be tormented by a mysterious noise coming from the wall of his house, and he is the only one who can hear it. As the days go by, Pedro tries to find out where this sound is coming from in order to put an end to it and discovers that the noise is not actually coming from the wall.