CORRES
The attention was not focused on the tourist attractions, but rather on the graffiti.
Danza en la sangre
Sobre Nós
Nado
Tinta Fresca
A Arte de Ser
Operação Lorca, o bailado
Topo estrellado
The Iron Man takes us on an introspective journey into the life of Toni, a man who finds in art and nature the essential pillars of his existence. The creation of iron and stone sculptures, together with work in the countryside as a gardener, help him to find beauty in the simplicity of life. His vision of life, as if he were a ‘rural philosopher’, will teach us to break down stigmas about mental health and to look at life from a hopeful perspective.
This documentary explores the Samaritá neighborhood, the oldest community in the continental area of São Vicente, São Paulo, Brazil’s first city. Discover the history of a region whose origins lie in the construction of a railway and that has since evolved into a community where art and culture guide the daily lives of its residents and local artists.
Party auf dem Todesstreifen - Soundtrack der Wende
Life in the GDR was not only documented on behalf of the state, but also by photographic artists and journalists. The documentary goes on a journey through time with some of them and shows little-known aspects of the GDR from its foundation to the fall of the Wall. Photographers in the GDR had a surprising amount of freedom; there was no explicit censorship of images. This allowed them to make visible what the state wanted to hide. This documentary presents two photographers who observed life in the GDR and whose work has been rediscovered in recent years.
Trognes, les arbres aux mille visages
Mosaico: 50 Anos do Curso de Artes Visuais da UEL
This documentary tells the story of Ludimar, who at 73 found in rap and poetry a path to expression and freedom.
From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.
While painting intuitively, Fran recounts defining moments of her journey as a trans woman. In an intimate space, the short film builds, through voice and color, a sensitive narrative about identity, body, and hope. Between brushstrokes and silences, a life is revealed—one that resists and finds recognition through art.
Marchands d'Anthrax
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