A demonic force has chosen Freddy Krueger as its portal to the real world. Can Heather Langenkamp play the part of Nancy one last time and trap the evil trying to enter our world?
Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.
Charlene "Charlie" McGee has the amazing ability to start fires with just a glance. Can her psychic power and the love of her father save her from the threatening government agency which wants to destroy her?
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?
He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.
Bobby breadcrumb lives a terrible life of hitting his head on doorways, running out of milk, and slipping on banana peels. In an effort to find meaning and change the script of his life, he journeys beyond the fourth wall to fight against the powers that be.
Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.
The story revolves around a man trying to uncover the mysterious death of his girlfriend and save an innocent man from the death chamber in the process, by using his unique power to time travel. However in attempting to do this, he also frees a spiteful serial-killer.
Ray, a construction worker trapped in an unhappy marriage, pursues an affair with his neighbor, Carla. Carla's husband, Greg, is a mobster who keeps large sums of drug money in their home. With this in mind, Carla comes up with a plan: She and Ray will steal Greg's money, burn down her house, convince Greg the money was lost in the fire and then run away together. Carla's scheme, however, doesn't go off as planned.
An experimental lo-fi love story told through still photographs, an unseen character longingly admires a young woman from afar.
The timid youngest son of the most important family in town must use his wits to win the respect of his strong father and the love of a beautiful new woman in town.
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
Three wacky sisters try to save their inheritance from their supposedly gay brother, who suddenly appears with a fiancé in tow. If he gets married, their father's will stipulates that he gets the family hotel in Portugal. So the sisters put aside their personal differences and set out to stop the wedding at all costs.
Framed and on the run, a former FBI agent must save his family from a blazing fire in the world's tallest building.
Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.
Elderly Dastaguir and his newly deaf 5-year-old grandson Yassin hitchhike and walk, but mostly walk, as they make their way to the coal mine where Dastaguir's son Murad works. Dastaguir must tell Murad that the rest of their family were all killed in a recent bomb attack.
Two feuding siblings carrying on a heroic family tradition as Chicago firefighters. But when a puzzling series of arson attacks is reported, they are forced to set aside their differences to solve the mystery surrounding these crimes.
An oblique remake of Nicholas Ray’s On Dangerous Ground (1951), Ray’s Place follows Ray from his haunts in New York City to Binghamton where, exiled from Hollywood, he taught alongside members of the American avant-garde. Participating in both Hollywood’s golden age and the experimental cinema of the 1970s yet at home in neither, what is Ray’s place?
An action comedy about the bravest heroes of all: backpack firefighters.